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Jazz Articles about Billy Cobham

20
Reassessing

Spectrum

Read "Spectrum" reviewed by Dean Nardi


Was it jazz or rock? This was (is) the eternal question about fusion. Back in the 1970s when the Mahavishnu Orchestra pioneered the genre, the electric and chaotic unpredictability of the John McLaughlin-led outfit cut across what was thought to be basic jazz concepts by displaying loud electric guitar riffing over what could stand for prog rock organ, bass and drum. And shockingly, none of the original players blew into their instruments. But Mahavishnu McLaughlin was as cruel ...

4
Live Review

Billy Cobham's Time Machine Live At The Blue Note

Read "Billy Cobham's Time Machine Live At The Blue Note" reviewed by Chris DeRosa


Billy CobhamThe Blue Note New York, NY March 23, 2025 Hello, my name is Chris DeRosa and this is what I heard... What can be said about Billy Cobham to describe the powerhouse he is and the musical force he has been over the last six decades? Days before his 81st birthday and just after hip surgery, we celebrate the achievements and joy Billy Cobham has brought to both the drumming ...

8
In Pictures

Billy Cobham's Time Machine at Blue Note Jazz Club

Read "Billy Cobham's Time Machine at Blue Note Jazz Club" reviewed by Dan Bilawsky


Science has yet to crack the space-time continuum. Music, however, can manage to do the trick. Billy Cobham, proving that point during his six-night stand at New York's Blue Note, transported listeners to another era. The octogenarian drumming icon used this platform as an opportunity to revisit and update the sounds of the '70s (and beyond), and the results were explosive. Leading a stacked band featuring tenor saxophonist Brandon Wilkins, trumpeter Randy Brecker, trombonist Marshall Gilkes, keyboardist Oz Ezzeldin and ...

81
Liner Notes

Johnny "Hammond" Smith: Wild Horses Rock Steady

Read "Johnny "Hammond" Smith: Wild Horses Rock Steady" reviewed by Arnaldo DeSouteiro


Born John Robert Smith on December 16, 1933 (in Louisville, KY), formerly known as Johnny Hammond Smith, and later as Johnnny Hammond, one of the all-time best jazz organists passed away on June 4, 1997, in Chicago, Illinois. For some of his early fans, some of the best albums he recorded were done for Prestige in the Sixties. A younger generation, who grew up listening to the hip-hop influenced jazz sounds of the 1990s, prefers Johnny's over-produced sessions for Milestone ...

2
Radio & Podcasts

A look back at 1975 with Miles Davis, John Abercrombie and Billy Cobham

Read "A look back at 1975 with Miles Davis, John Abercrombie and Billy Cobham" reviewed by Len Davis


Some hard-edged music from Miles Davis's Agharta, John Abercrombie and Jan Hammer's Timeless and Lenny White's Venusian Summer. Billy Cobham's Shabazz and the funky sounds from Herbie Hancock's Manchild. The powerful sounds of The Mahavishnu Orchestra's Visions Of The Emerald Beyond, Return To Forever's No Mystery and Stanley Clarke's Journey To Love. Playlist Miles Davis “Prelude 2" from Agharta (CBS) 00:00 John Abercrombie “Lungs" from Timeless (ECM)08:09 Lenny White “Mating Drive" from Venusian Summer (Nemperor) 16:21 Billy Cobham ...

26
Reassessing

The Electric Years Box Set

Read "The Electric Years Box Set" reviewed by Mike Jurkovic


In a year that has brought us a true bounty of previously unheard majesty including Evenings at the Village Gate: John Coltrane with Eric Dolphy (Impulse!), and Bill Evans; Treasures: Solo, Trio & Orchestra Recordings from Denmark (1965-1969), (Elemental Music) it is only fitting that Miles Davis get his due. And in a very, very big way. Seared into modern memory, modern art, the music presented on the gloriously massive, eleven LP set Miles Davis: The Electric Years ...

6
Liner Notes

Larry Coryell: Improvisations: Best of the Vanguard Years

Read "Larry Coryell: Improvisations: Best of the Vanguard Years" reviewed by Josef Woodard


There have been many smoother operators in the world of jazz guitar than Larry Coryell, the brainy rough rider who was a natural-born fusioneer, in the best sense. There have been cleaner technicians on the instrument, with a more lucid sense of identity and careers that have followed a logical, rolling landscape. But not many have quite attained Coryell's strange, madly eclectic state of grace: into music he came, he saw and heard things not yet articulated, he conquered on ...


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