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Andrés Coll

Andrés Coll, born 2000 in Ibiza, is a multifaceted vibraphonist who amalgamates sharp and broad musical sense, virtuoso playing skills and stoic commitment to art. From his childhood as a loyal member of a local folklore group, he became conscious of the deep and broad origins of his native music. Coll discreetly matured to an investigative player and composer dedicated to the cross-sum of primigenius music, folklore, Bach, Bartók, contemporary music, modern jazz and free improvisation. His open mind, sense of quality and no fuss attitude make him a frequent and most welcome partner of the established, yet often disclosed musical elite of like-minded top artists worldwide.

Guided under the wing of legendary pianist Joachim Kühn, Coll quickly developed and matured at a very young age. Leading two key projects — Andrés Coll Cosmic Trio and Andrés Coll Odyssey — he explores the sounds of his homeland along bold, expressive improvisation, as well as his solo performance, portraying excellent virtuosity on the marimba, as a pianist and percussionist.

A new voice in European Jazz, shaking up the scene with his youthful, unbridled joy of playing.

Awards

  • Ralf Clausen, Alles Münster: "Andrés Coll brought a completely different energy to the stage... he played his electrically amplified marimba with a verve that left many people in awe."

  • Frank Biermann, Münstersche Volkszeitung: "If there can be such a thing as pop stars in the jazz world, then Andrés Coll certainly deserves this title... radiating an immense joy of playing and living."

  • Jazz Italia: "A festive finale with the ethno-jazz of marimbist Andrés Coll... full of contagious energy, giving the music different, very pleasant directions."

  • Jazzenzo: "Under the motto 'let there be marimba,' the young Coll almost completely lost himself behind his instrument in trance... a smashing finale to an extremely varied and eclectic festival program."

  • Donos PL: "The Odyssey program combines the leader's original compositions with interpretations of traditional pieces... a virtuoso performance supported by excellent musicians."

  • Peter E. Rytz: ‘’Coll has a great future ahead of him, he has been shaking up the jazz scene for some time with his youthful, unbridled joy of playing.’’

  • Pauline Cormic, Citizen Jazz: ‘’A great finale then with Andrés Coll “Odyssey”. The mix of influences is explosive and jubilant [...] The audience is won over. For the last song of the set, Coll sits down at the piano for a postcard of Essaouira, its winds and its seagulls, a beautiful final moment of poetry.’’


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16
Album Review

Andrés Coll: Ride to Heaven

Read "Ride to Heaven" reviewed by Artur Moral


Some instruments can come across as far removed from the jazz orbit--especially when we think of them as vehicles for a soloist's showcase. Yet a number of resolute experimenters have worked hard to prove otherwise, with commendable skill. Among others, such is the case with Dorothy Ashby on harp, Julius Watkins on French horn and Garvin Bushell on oboe. The marimba is another of those devices that at first seem foreign to the genre, more associated with Latin or radically ...

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Music

Good Morning

From: Ride to Heaven
By Andrés Coll

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