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Musician

Paul Bley

Born:

"Since the Montreal-born, long-US resident Bley's 50's debut with Mingus and Blakey, he's worked with more first-rate, wide ranging original musical minds than anyone but Miles..." —Howard Mandel, Downbeat, April 1995

Bley gave violin recitals at age five. By age seven he was studying piano. He went through numerous classical teachers—including one Frenchman that had him play, balancing filled water glasses on the tops of his hands. At age 11 he graduated from the McGill Conservatory—having taken on their musical curriculum in addition to his public school education. Bley, who was known as "Buzzy" in his early adolescence, formed a band and played clubs and summer hotel jobs in the Laurentian Mountains at age 13. Four years later he replaced Oscar Peterson at the Alberta Lounge. Bley founded the Montreal Jazz Workshop and brought Charlie Parker, Sonny Rollins, Brew Moore and Alan Eager to Montreal inorder to perform with them.

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Article: Album Review

Liudas Mockūnas / Samuel Blaser / Marc Ducret: Twisted Summer

Read "Twisted Summer" reviewed by Mark Corroto


All of modern jazz and improvised music owes a debt to Jimmy Giuffre (1921--2008). A quiet revolutionary, Giuffre helped reshape the language of jazz in ways that many musicians now take for granted. His solo recordings anticipated those of Anthony Braxton and Roscoe Mitchell, while his early experiments without a rhythm section, common practice today, were ...

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Article: Album Review

Alvaro Torres Trio: Mairena

Read "Mairena" reviewed by Dan McClenaghan


Álvaro Torres laid the groundwork for his jazz journey in a common way (for this uncommon profession): by studying classical piano from a young age. The aspect of improvisation pulled him away from the classical world, into a globe-trotting search based in Spanish folkloric and Hindustani music and jazz and a Master's degree at the Manhattan ...

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Article: Album Review

Myra Melford - Satoko Fujii: Katarahi

Read "Katarahi" reviewed by Mark Corroto


When four hands meet across 176 keys, is it even possible for pianists to check their egos at the stage door? Piano duets, by their very nature, often invite comparison--even confrontation. Consider the 1977 encounter between Mary Lou Williams and Cecil Taylor, the high-profile 1978 concerts by Herbie Hancock and Chick Corea, or Kris Davis and ...

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Article: Album Review

Pat Thomas, Dominic Lash, Tony Orrell: Lifeline

Read "Lifeline" reviewed by John Sharpe


New bottles, same wine? On Lifeline, Pat Thomas, Dominic Lash and Tony Orrell, who operate under the moniker Bley School with acoustic instruments, convene in the studio with electronics. The trio's defining traits--deep listening, volatility and reflexive interaction--persist, but now unfold through circuitry rather than strings and skins. Furthermore, in place of the covers favored in ...

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Article: Album Review

Carla Bley: Joyful Noise – Live In Hamburg 1984

Read "Joyful Noise – Live In Hamburg 1984" reviewed by Mike Jurkovic


For a brief human moment, let us imagine that pianist/composer/maestro Carla Bley was cast as a villainess on the low-camp-crazy 60's Batman TV show. Yes, that one. The one with Adam West running around in tights. Who would Bley be? Perhaps, with her humorous inquests into any musical form that might threaten Gotham, she would be ...

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Article: Building a Jazz Library

The Top 25 Songs Featuring Clarinet

Read "The Top 25 Songs Featuring Clarinet" reviewed by Dean Nardi


As Ian Dury might have sung had he played the clarinet, “Hit me with your licorice stick." (That is “rhythm stick" for those not fluent in punk rock.) From the intricacies of classical music to the smooth swing of jazz to Klezmer--the folk music of the Eastern European Jewish population--the instrument resonates throughout a good portion ...

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Article: Album Review

Joe Block: Solo Piano Vol. 1

Read "Solo Piano Vol. 1" reviewed by Victor L. Schermer


At 26, Joe Block is already a mature, creative, and disciplined jazz pianist as well as an exceptional composer, arranger, conductor, and educator. His roots are in the Philadelphia area with such mentors/teachers as Tom Lawton. Repeated performances, especially at the Philadelphia's Clef Club and Chris' Jazz Cafe have helped him in sharpening his craft. He ...

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Article: Album Review

Jakob Bro, Wadada Leo Smith & Marcus Gilmore: Murasaki

Read "Murasaki" reviewed by Vincenzo Roggero


Jakob Bro è un chitarrista danese con ormai venti album da leader alle spalle, vanta frequentazioni eccellenti--Bill Frisell, Lee Konitz, Kenny Wheeler, Paul Bley, Paul Motian per citarne alcuni--e anche in quest'ultimo lavoro per la sua etichetta Loveland la compagnia è di quelle che contano. Marcus Gilmore è batterista ormai consacrato ai massimi livelli e Wadada ...

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Article: Interview

Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 1

Read "Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 1" reviewed by Victor L. Schermer


This two-part article was first published on All About Jazz on August 13, 2019. Part 1 | Part 2 Richie Beirach hovers somewhat mysteriously in the pantheon of the great modern jazz pianists. Some of the others in that category from his generation (coming up in the 1960s/'70s), like Herbie Hancock, Keith ...


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