Results for "middle eastern"

Shmeisani Jazz Massive

Active since: 2025

Shmeisani Jazz Massive (SJM) is an Amman-based contemporary jazz collective featuring Azar (drums), John (bass), Omar (keys), and Archie (guitar).

The project brings together musicians shaped by decades of listening across jazz, groove, and experimental music, united through a shared commitment to collective improvisation. Their self-titled debut album was recorded during the group’s first sessions together, capturing the emergence of a musical language in real time.

Recorded in a basement studio in Shmeisani, one of Amman’s most distinctive artistic neighborhoods, the album is rooted in place, immediacy, and interaction. The result is a sound that moves between groove, atmosphere, and tension — contemporary jazz built on ensemble intuition rather than fixed structure.

Itay Abramovitz

Born: May 2, 1975

Israeli pianist, composer, and producer Itay Abramovitz is a versatile musician whose work bridges modern jazz with global influences, particularly Latin, Afro-Cuban, Mediterranean, and world music traditions.

An active performer in Israel, Europe and USA, he has collaborated with leading Israeli artists including Yasmin Levy, David Broza, Pablo Rosenberg and more. 

Abramovitz is a core member and pianist of the contemporary jazz trio Atempo, known for its original music and cross-cultural sound. Alongside his performing career, he composes and produces for film, theater, and diverse musical projects, and is actively involved in music education, with a focus on Latin and global music styles.

Ize Trio

Active since: 2019

The story of Ize Trio begins in Boston at the Berklee Global Jazz Institute. This special program and community founded by Danilo Pérez brings students and mentors together from all over the globe to collaborate, innovate, and create global diplomacy through music. The three of us met through this community as students (and now professors) and became good friends. Our mentors Danilo Pérez, John Patitucci, Joe Lovano, Adam Cruz, and many more, opened the doors for us to explore music multiculturalism and social activism. Inspired, we officially began the Ize Trio in 2019, seeking to bring our musical backgrounds from the US, Cyprus, and Palestine to the table and connecting through concepts of improvisation and Global Jazz.

Daniel Meron

Through his music, Brooklyn based pianist and composer Daniel Meron awakens listeners' deepest desires and feelings. Born in Israel to a family of Egyptian and Syrian descent, Meron integrates his love for improvisation into original compositions that are both sophisticated and lyrical, rich with influences from Jazz, Middle-Eastern and Latin American music. Meron’s multiple records have gained rave reviews from music critics and radio stations around the world.

For his new record entitled Pendulum (2024 Pinch Records), Daniel has gathered some of New York’s most innovative and distinguished jazz musicians: Drummer Mark Whitfield Jr. (Kenny Garrett, Kurt Rosenwinkle), bassist Tamir Shmerling (Terri Lyne Carrington, Kevin Eubanks), flutist Itai Kriss (Pedrito Martinez, Avishai Cohen) and tenorist Jonathan Greenstein (Omer Avital, Itamar Borochov). Having performed together over the past year, the band further explores that elusive and magical balance between the power of clarity and the excitement of spontaneity. Listening to Meron’s enchanting compositions played by such heavy-weight jazz improvisers provides a captivating experience both live and on the record.

Guy Mintus Trio

Bryan Deister

Born: September 8, 1995

I was born on International Literacy Day, 1995 in Los Angeles, California. In my early youth, Math was my bread and butter, and English was my bane and burden. The preschool lesson on months baffled me to no end. How was I supposed to determine the order or day-count of the months? The memorization without utility was just waste of brain space. In Math lessons, I learned a rule and could apply it immediately after, and I could always justify the rule if I forgot it. My elementary school music classes made me realize music had similar universal rules. My father, the biggest Chicago fan I know and a high school trumpet player, had Blood Sweat and Tears, Tower of Power, Chase and of course Chicago playing in the house frequently