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Art Farmer
Born:
Born on Aug. 21, 1928, in Iowa, Farmer was raised in Phoenix, Arizona along with his twin brother Addison. They moved to Los Angeles in 1945 and during the late '40s,
Farmer worked with the West Coast based bands of Jay McShann, Johnny Otis, Roy Porter and Benny Carter. He also worked with Wardell Gray and in 1952-'53 he went to Europe on the same Lionel Hampton tour as Clifford Brown, Gigi Gryce and Quincy Jones. Upon his return he decided to settle in New York City and shortly thereafter, he worked with Gryce (1954-'56), Horace Silver (1956-'58) and Gerry Mulligan (1958-'59).
The Dam Jawn featuring Jeremy Pelt: Triphasic
by Artur Moral
Philadelphians know 'jawn' well--a term embedded in their local slang that is not easily grasped by the uninitiated. So what are Joan Fort and Martin Diaz (two Catalans), Philip Lewin (a German), and Nitin Parree and Frank Groenendijk (two Dutch men) doing forming a band whose name fuses that Philly word with a wink at the ...
Bill Evans: At The BBC 1965
by Jack Kenny
Producer Zev Feldman recalls having once purchased a laserdisc of this BBC session--an early testament to his devotion to the music of Bill Evans. Feldman has curated numerous Evans projects for both Elemental Records and Resonance Records; this album marks the fifteenth occasion he has collaborated with the Evans' estate. His earlier releases include Behind the ...
Neal Miner: Invisibility
by Jack Bowers
Here is a jazz trio with a twist: instead of the usual piano, bass and drums--or guitar, bass and drums--Neal Miner's threesome on Invisibility consists of tenor saxophone, bass and drums. While bassist Miner is the nominal leader, the New York City-based trio is a true co-op in which Miner, drummer Jason Tiemann and saxophonist Chris ...
Listen to Prestige Now, Think Later
by Patrick Burnette
Listening to Prestige: Chronicling its Classic Jazz Records, 1949-1972 Tad Richards 250 Pages ISBN: 979-8-8558-0495-9 State University of New York Press 2025 Most jazz histories end up focusing on individual musicians, understandably enough. Talk about movements in jazz all you want: dixieland, swing, be-bop, hard-bop. You will end up talking ...
Fred Hersch: The Touch of Genius
by Ken Dryden
The sound of Fred Hersch at the piano is so distinctive, a couple of bars is usually enough to identify him. The mainly self-taught Cincinnati native excelled early, playing jazz in his home town before leaving to study with pianist Jaki Byard at the New England Conservatory of Music. From there, Fred moved to New York ...
The Legacy of Billy Strayhorn, part I: Lush Life, Take the A Train and more
by Larry Slater
Billy Strayhorn had one of the most unusual careers in jazz. Today his genius as a composer of jazz and song is uniformly acknowledged, but that was not the case during his lifetime. Strayhorn spent his entire career as in Duke Ellington's words, “his composing and arranging partner."Many of his most famous creations were ...
Composer, arranger, and educator Bob Zieff dies at 98
Robert L. Zieff, jazz composer, arranger, and educator died peacefully in Stuart, Florida, on March 26th in 2026 at the age of 98. He is survived by his wife, Ella Marie Forsyth, a fellow musician. Over a career spanning more than sixty five years, he made significant contributions to jazz as both a creative artist and ...
Dexter Gordon: More Than You Know
by Alberto Bazzurro
Intitolato come un 33 giri orchestrale del lontano 1975 dello stesso Dexter Gordon, questo doppio album, uscito prima in CD e da poco più di un mese anche in vinile (poco meno di ottanta minuti totali, parlati compresi), documenta il passaggio del grande tenorsassofonista al festival genovese di Villa Imperiale del 1981, in un'edizione che ospitò ...
Tim Garland, Geoffrey Keezer: Mezzo
by Neil Duggan
Saxophonist Tim Garland and pianist Geoffrey Keezer have collaborated numerous times since their days in Storms/Nocturnes, the trio they formed with Joe Locke in 2001. The duo bring their 25 years of partnership, shared understanding, and experience sharply into focus on Mezzo. The nine-track album was captured live in New York in a single five-hour session. ...
