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Jimmy Lyons
A teenaged Lyons was given an alto sax by the clarinetist Buster Bailey, an important member of Fletcher Henderson's band in the '20s and '30s. Lyons studied with veteran big band saxophonist Rudy Rutherford, and at a young age made friends with such jazz luminaries as Elmo Hope, Bud Powell, and Thelonious Monk. Lyons came into his own as a professional upon his association with Taylor in 1960. With Taylor, Lyons recorded a number of landmark albums, including Cecil Taylor Live at Café Montmartre (1962), in a trio with drummer Sunny Murray; and Unit Structures (1966), in a larger band who included, significantly, drummer Andrew Cyrille. Lyons took his own bands into the studio infrequently. In 1969, he led his first session, an album entitled Other Afternoons, which was issued on the now-defunct BYG label. Beginning in 1978, he began leading record dates more often. In the years to come he would release several albums on the Hat Hut and Black Saint labels.
Like many jazz musicians, Lyons was compelled by circumstance to augment his performance income by teaching. In 1970-1971 he taught music at Narcotic Addiction Control, a drug treatment center in New York City. From 1971-1973 he served — with Taylor and Cyrille — as the artist in residence at Antioch College, and in 1975 he directed the Black Music Ensemble at Bennington College. Perhaps Lyons' stature as a musician is best illustrated by the fact that Taylor essentially found him irreplaceable. After Lyons, Taylor never established a similar long-standing relationship with another musician. Jimmy Lyons' premature death at the age of 52 robbed Taylor — and avant-garde jazz in general — of a vital, swinging, eminently creative voice.
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Cecil Taylor: Fragments: The Complete 1969 Salle Pleyel Concerts
by Jack Kenny
Hosting a recording by Cecil Taylor represents a new departure for producer Zev Feldman. He is candid about the challenge: “Words fail me to describe the great genius of Cecil Taylor and I could never do him justice, but luckily we have Phil Freeman's erudite words." Freeman contributes a substantial essay to the release. Even after fifty years, Taylor's music remains dense, unrelenting, forceful, and challenging. Time has not diminished its impact. The glorious vivacity is undimmed.
Continue ReadingCecil Taylor: Fragments: The Complete 1969 Salle Pleyel Concerts
by Joshua Weiner
"On one level you can look at him as one of the grandfathers of the free jazz tradition," says pianist Matthew Shipp of Cecil Taylor in the generous booklet included with Fragments: The Complete 1969 Salle Pleyel Concerts, a three-LP set released by Elemental Music for Record Store Day 2026 (CD and digital releases will also follow). “But on the other hand...(h)e was very insistent that he came out of a certain tradition, and he talked about Ellington, Monk, and ...
Continue ReadingCecil Taylor Unit: Fragments: The Complete 1969 Salle Pleyel Concerts
by Dan McClenaghan
Cecil Taylor, a pioneer of free jazz, pared down his Cecil Taylor Unit ensemble for a trip through Europe to partake in a 15-date tour in late 1969, in support of the Duke Ellington Orchestra and the Miles Davis Quintet. This foray was billed as the Newport Jazz Festival In Europe. Taylor's Unit of the day--Taylor on piano, Sam Rivers on reeds, Jimmy Lyons on alto sax and Andrew Cyrille in the drummer's chair--sounded nothing like the elegance and swing ...
Continue ReadingJimmy Lyons: Live From Studio Rivbea (Jimmy Lyons)
by John Sharpe
Alto saxophonist Jimmy Lyons was underappreciated even at the height of his powers, but to those with ears attuned to the radical innovations of the loft jazz era, he was a galvanizing presence. That his legacy remains under-lit is due in part to his long-standing tenure in Cecil Taylor's incandescent orbit. Lyons was more than a foil; he was Taylor's most empathetic interlocutor, the tether to bebop logic amid Taylor's eruptive torrents. But a fatal cocktail of perfectionism ...
Continue ReadingCecil Taylor: Live at Fat Tuesday's February 10, 1980
by Giuseppe Segala
Nella collana First Visit di ezz-thetics, dedicata a registrazioni storiche rimaste inedite fino a ora, l'etichetta svizzera Hat Hut Records pubblica il terzo CD di Live at Fat Tuesday's, completando così la documentazione degli straordinari concerti che videro impegnato il sestetto Unit di Cecil Taylor a New York dall'8 al 10 febbraio 1980. Come nelle precedenti pubblicazioni, It Is in the Brewing Luminous, uscita nel 1981, e Live At Fat Tuesday's February 9, 1980 First Visit, diffusa nel ...
Continue ReadingCecil Taylor: Live At Fat Tuesday's February 9, 1980 First Visit
by Giuseppe Segala
Nel periodo di passaggio tra gli anni Settanta e Ottanta, Cecil Taylor è stato oggetto di numerose attenzioni da parte di etichette europee, che ne hanno lodevolmente documentato esibizioni dal vivo assai significative. Tra queste, alcune presentano la formazione Unit in differenti organici strumentali, che esprimono con dovizia un momento di impeto formidabile e di incredibile intesa creativa. Ne sono esempio le registrazioni in Germania del giugno 1978 Live in the Black Forest e One Too Many Salty Swift and ...
Continue ReadingCecil Taylor: Live At Fat Tuesday's February 9, 1980 First Visit
by John Eyles
For some years, Werner X. Uehlinger's Ezz-thetics label has been bringing smiles to the faces of countless lovers of free jazz by re-releasing albums featuring such luminaries as Albert Ayler, John Coltrane, Bill Evans, Jimmy Giuffre, Sun Ra, Cecil Taylor (to name but a few of many) all with state-of-the-art sound quality. The label's distinctive orange lettering over black and white period images of the featured artists has made its albums instantly recognisable. Until now. The current album has blue ...
Continue ReadingAlex Hargreaves Awarded Jimmy Lyons Scholarship at Berklee School of Music
Source:
GoMedia PR
Presentation will be made to Adventure Music's Youngest Recording Artist on the Jimmy Lyons Stage at the Monterey Jazz Festival on September 19 Berklee College of Music and the Monterey Jazz Festival have announced that award-winning violinist and Adventure Music recording artist Alex Hargreaves is the fourteenth recipient of the Jimmy Lyons Scholarship at Berklee, a major music education prize. The full-tuition scholarship is named in honor of the festival's late founder, James L. (Jimmy) Lyons, who began the festival ...
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Trumpeter Billy Buss wins Monterey/Jimmy Lyons Scholarship to Berklee
Source:
All About Jazz
Berklee College of Music and the Monterey Jazz Festival names Berkeley's Billy Buss the tenth Jimmy Lyons Scholar
Presentation to be made on the Jimmy Lyons Stage, 2 pm Sunday 9/17; previous Lyons Scholar, drummer James Williams to make presentation *
Berklee College of Music and the Monterey Jazz Festival announced today that trumpeter Billy Buss of Berkeley, California, is the tenth recipient of the Jimmy Lyons Scholarship at Berklee, a major music education prize. The scholarship is named in ...
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Berklee College of Music and the Monterey Jazz Festival Name Richmond's Carlin Muccular Seventh Jimmy Lyons Scholar
Source:
All About Jazz
Presentation to be made by Albert “Tootie" Heath, 2 pm Sunday
Monterey and Boston, Sept. 20, 2002-- Berklee College of Music and the Monterey Jazz Festival announced today that Carlin Muccular of Richmond, CA is the seventh recipient of the Jimmy Lyons Scholarship at Berklee, a major jazz education prize. The scholarship is named in honor of the festival's late founder, James L. (Jimmy) Lyons, who began the festival more than 40 years ago with jazz education at its core. ...
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Berklee & Monterey Announce Jimmy Lyons Scholarship Competition
Source:
All About Jazz
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Jimmy Lyons
Instrument: Saxophone, alto
Born: December 1, 1933
Died: May 19, 1986
