Home »
Jazz Articles » Album Review » Sylvia Hallett: White Fog
Sylvia Hallett: White Fog
Multi-instrumentalist, Sylvia Hallett turns to the bicycle wheel as a means of musical expressionism on this recording also featuring the artist’s utilization of digital delays, voice improvisation, and violin. Ms. Hallett’s resume includes involvement with the “London Musicians Collective,” British free jazz pioneers, saxophonist Lol Coxhill, vocalist Phil Minton and others, yet here she pursues shifting and at times, haunting pastiches of sound via her unorthodox implementations. With “A Wheelwright Used To Live Here,” Ms. Hallett’s use of bowed bicycle wheel produces multidimensional ambient soundscapes atop fluctuating backwashes of digital EFX, as allusions to partaking in a séance might be in order.
On “Woman With Dustpan And Brush” and “White Fog,” Ms. Hallett’s hypnotic and altogether ethereal musings conjure up notions of a hazy dream resulting in melodramatic aftershocks amid her warm toned yet slightly foreboding inventions. However, there are passages that may imply the sounds of neurons or brain cells at work, whereas “The Onyx Rook” is a piece for violin and voice improvisation sans overdubs. Simply put, Ms. Hallett’s rather eccentric journey into previously unexplored terrain yields curiously interesting results, or as the producers amusingly indicate on the CD jewel case insert, this music should be filed as “unpigeonholeable.”
EMANEM
Personnel
Album information
Title: White Fog
| Year Released: 2001
| Record Label: Mash Productions
PREVIOUS / NEXT
Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
Go Ad Free!
To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to
future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by
making a donation today.