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This & That (and Lindsey Boullt), Part 8

Michael Ricci By

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This & That (and Lindsey Boullt), Part 8: This & That (and Lindsey Boullt), Part 8
Over the years, I've tended to keep my head down—focusing on the work, planning for positive outcomes, and letting the results speak for themselves. Lately, that approach has been tested. Broader technological and ideological shifts across the landscape are creating real challenges, especially for small, independent publishers like All About Jazz.

That said, we're not standing still. Not by a long shot.

Over the past week in particular, I've taken a deep dive into the issues in front of us—especially around infrastructure—and I'm actively working through solutions. It's been an intense but productive stretch, and we're already making meaningful progress toward stabilizing and strengthening the foundation we rely on.

At the same time, as quickly as AI is reshaping the landscape, we're embracing it thoughtfully—using it to improve every part of what we do, from the front-end experience to the systems behind the scenes. In all my years working on the commercial web, I've never seen this level of rapid advancement—or this kind of opportunity to rethink how things are built and delivered.

We're also assembling a new team aligned with this moment—people who can help us make smart, forward-looking decisions as we guide All About Jazz into its next phase. Through all of this, our mission remains unchanged: to serve the music and the musicians who make it with the care and attention they deserve.

Grit. Discipline. Guts, continued...

The response to Lindsey Boullt's piece, Grit. Discipline. Guts: A 25-Year Blueprint for the Modern Music Career, has been overwhelmingly positive—and for good reason. If you're a musician or student, it's essential reading. We encourage you to spend some time with it, and if it resonates, join the conversation. Lindsey is actively following the comments and engaging directly with readers.

Study the Lydian Chromatic Concept with George Russell's Certified Protégé



Andy Wasserman—one of the very select few musicians personally certified by George Russell—offers a rare opportunity for serious student enrollment and institutional engagement centered on Russell's Lydian Chromatic Concept of Tonal Organization (LCCOTO). As highlighted in the #1 trending All About Jazz article, Andy Wasserman, George Russell, and the Living Lineage of the Lydian Chromatic Concept, Andy provides customized private instruction for dedicated musicians and expertly structured group seminars, workshops, and guest lectures in both in-person and virtual formats. His work is backed by the highest possible endorsement from the Maestro himself: "I am pleased to recommend Andy Wasserman as a most extraordinary musician, educator, performer, innovator and thoroughly dedicated artist. Mr. Wasserman is unique in a time that does not encourage individuality. He is persistent in his insistence on quality and excellence. I feel that any Institution or enterprise would be wise to have him in its employ, and I ask that you give him your most serious consideration." —George Russell, 1995. Whether through academic lectures, podcast interviews, or solo piano lecture-demonstration performances, Andy brings a direct lineage of excellence to every presentation. Recent highlights include his two-day "homecoming" workshops in Oslo (read the story) and the documented experience of his student, pianist Helge Lien (see Helge's blog). Explore lessons and booking opportunities at andywasserman.com.

Radio & Podcast News

All About Jazz's curated radio and podcast lineup continues to grow. We've added two new programs and welcomed back Monk Rowe's Jazz Backstory for its fifth season. New additions include Daniel Peck's Live At The Bop Stop and pianist Mike Jones's The Stereo Image. That brings the total number of shows presented on All About Jazz to 28, with several airing each week. You can listen from the radio section on our home page or from the Radio & Podcast landing page. If you host a show that complements our programming, we'd love to hear from you—submit it for consideration here.

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Posted to Publisher's Desk IN THE All About Jazz GROUP
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