Home » Community Blog » Publisher's Desk
13
This & That (and Lindsey Boullt), Part 8
Over the years, I've tended to keep my head downfocusing on the work, planning for positive outcomes, and letting the results speak for themselves. Lately, that approach has been tested. Broader technological and ideological shifts across the landscape are creating real challenges, especially for small, independent publishers like All About Jazz.
That said, we're not standing still. Not by a long shot.
Over the past week in particular, I've taken a deep dive into the issues in front of usespecially around infrastructureand I'm actively working through solutions. It's been an intense but productive stretch, and we're already making meaningful progress toward stabilizing and strengthening the foundation we rely on.
At the same time, as quickly as AI is reshaping the landscape, we're embracing it thoughtfullyusing it to improve every part of what we do, from the front-end experience to the systems behind the scenes. In all my years working on the commercial web, I've never seen this level of rapid advancementor this kind of opportunity to rethink how things are built and delivered.
We're also assembling a new team aligned with this momentpeople who can help us make smart, forward-looking decisions as we guide All About Jazz into its next phase. Through all of this, our mission remains unchanged: to serve the music and the musicians who make it with the care and attention they deserve.
The response to Lindsey Boullt's piece, Grit. Discipline. Guts: A 25-Year Blueprint for the Modern Music Career, has been overwhelmingly positiveand for good reason. If you're a musician or student, it's essential reading. We encourage you to spend some time with it, and if it resonates, join the conversation. Lindsey is actively following the comments and engaging directly with readers.
Andy Wassermanone of the very select few musicians personally certified by George Russelloffers a rare opportunity for serious student enrollment and institutional engagement centered on Russell's Lydian Chromatic Concept of Tonal Organization (LCCOTO). As highlighted in the #1 trending All About Jazz article, Andy Wasserman, George Russell, and the Living Lineage of the Lydian Chromatic Concept, Andy provides customized private instruction for dedicated musicians and expertly structured group seminars, workshops, and guest lectures in both in-person and virtual formats. His work is backed by the highest possible endorsement from the Maestro himself: "I am pleased to recommend Andy Wasserman as a most extraordinary musician, educator, performer, innovator and thoroughly dedicated artist. Mr. Wasserman is unique in a time that does not encourage individuality. He is persistent in his insistence on quality and excellence. I feel that any Institution or enterprise would be wise to have him in its employ, and I ask that you give him your most serious consideration." George Russell, 1995. Whether through academic lectures, podcast interviews, or solo piano lecture-demonstration performances, Andy brings a direct lineage of excellence to every presentation. Recent highlights include his two-day "homecoming" workshops in Oslo (read the story) and the documented experience of his student, pianist Helge Lien (see Helge's blog). Explore lessons and booking opportunities at andywasserman.com.
Posted to Publisher's Desk IN THE All About Jazz GROUP
Read more posts by Michael Ricci
That said, we're not standing still. Not by a long shot.
Over the past week in particular, I've taken a deep dive into the issues in front of usespecially around infrastructureand I'm actively working through solutions. It's been an intense but productive stretch, and we're already making meaningful progress toward stabilizing and strengthening the foundation we rely on.
At the same time, as quickly as AI is reshaping the landscape, we're embracing it thoughtfullyusing it to improve every part of what we do, from the front-end experience to the systems behind the scenes. In all my years working on the commercial web, I've never seen this level of rapid advancementor this kind of opportunity to rethink how things are built and delivered.
We're also assembling a new team aligned with this momentpeople who can help us make smart, forward-looking decisions as we guide All About Jazz into its next phase. Through all of this, our mission remains unchanged: to serve the music and the musicians who make it with the care and attention they deserve.
Grit. Discipline. Guts, continued...
The response to Lindsey Boullt's piece, Grit. Discipline. Guts: A 25-Year Blueprint for the Modern Music Career, has been overwhelmingly positiveand for good reason. If you're a musician or student, it's essential reading. We encourage you to spend some time with it, and if it resonates, join the conversation. Lindsey is actively following the comments and engaging directly with readers. Study the Lydian Chromatic Concept with George Russell's Certified Protégé
Andy Wassermanone of the very select few musicians personally certified by George Russelloffers a rare opportunity for serious student enrollment and institutional engagement centered on Russell's Lydian Chromatic Concept of Tonal Organization (LCCOTO). As highlighted in the #1 trending All About Jazz article, Andy Wasserman, George Russell, and the Living Lineage of the Lydian Chromatic Concept, Andy provides customized private instruction for dedicated musicians and expertly structured group seminars, workshops, and guest lectures in both in-person and virtual formats. His work is backed by the highest possible endorsement from the Maestro himself: "I am pleased to recommend Andy Wasserman as a most extraordinary musician, educator, performer, innovator and thoroughly dedicated artist. Mr. Wasserman is unique in a time that does not encourage individuality. He is persistent in his insistence on quality and excellence. I feel that any Institution or enterprise would be wise to have him in its employ, and I ask that you give him your most serious consideration." George Russell, 1995. Whether through academic lectures, podcast interviews, or solo piano lecture-demonstration performances, Andy brings a direct lineage of excellence to every presentation. Recent highlights include his two-day "homecoming" workshops in Oslo (read the story) and the documented experience of his student, pianist Helge Lien (see Helge's blog). Explore lessons and booking opportunities at andywasserman.com.
Radio & Podcast News
All About Jazz's curated radio and podcast lineup continues to grow. We've added two new programs and welcomed back Monk Rowe's Jazz Backstory for its fifth season. New additions include Daniel Peck's Live At The Bop Stop and pianist Mike Jones's The Stereo Image. That brings the total number of shows presented on All About Jazz to 28, with several airing each week. You can listen from the radio section on our home page or from the Radio & Podcast landing page. If you host a show that complements our programming, we'd love to hear from yousubmit it for consideration here.Social Sharing Cloudflare Issue Fixed!
If you were having trouble sharing an All About Jazz article on Facebook, LinkedIn or Twitter, please try now. We updated our robots.txt file and created a new Cloudflare rule, which will no longer block your post.
Posted to Publisher's Desk IN THE All About Jazz GROUP
Read more posts by Michael Ricci
PREVIOUS / NEXT
Comments
Support All About Jazz
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
Go Ad Free!
To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.Recent
Les McCann Tribute Meets AAJ 30th Anniversary Celebration... Plus, a look back on the AAJ Orchestra
Posted: May 7, 2026Views: 233
A Fresh Listen
Posted: April 30, 2026Views: 262
Introducing All About Jazz Media
Posted: April 16, 2026Views: 697
Help us grow Jazz Near You—one city at a time
Posted: April 10, 2026Views: 350
If you get blocked...
Posted: March 2, 2026Views: 2049
A Note on Site Security and Stability, Plus Remembering Bob Rogers
Posted: February 24, 2026Views: 720
Jazz, From Near and Far... plus Navigation Tips
Posted: January 28, 2026Views: 2356
Have a post-related question? Contact us. Like our progress? Support us.







