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Jazz Articles about Woody Shaw

7
Album Review

Buster Williams: Pinnacle

Read "Pinnacle" reviewed by C. Andrew Hovan


As if producer and archival sleuth Zev Feldman weren’t already busy enough unearthing lost jazz treasures, he has recently launched a new imprint, Time Traveler. A devoted collector in his own right, Feldman has turned his attention—at least initially—to the storied catalog of Muse Records. Founded in 1972 by Joe Fields, with significant contributions from Don Schlitten, Muse weathered the shifting tides of the industry for a quarter century. While portions of the catalog have resurfaced on CD over the ...

5
Album Review

Buster Williams: Pinnacle

Read "Pinnacle" reviewed by Andrew Schinder


Bass legend Buster Williams has built a long, prolific career traversing the innerwebs of diverse jazz styles and sub-genres, developing into a beloved sideman and one of the finest rhythmists of jazz's modern period. Williams' bass can elevate any material, and he has contributed to some of the most treasured recordings in the jazz canon, in particular supporting Kenny Barron, Woody Shaw and, of course, Herbie Hancock. But Williams has an exceptional discography of his own, if a bit overshadowed by ...

4
Multiple Reviews

More Muse-ical Masterpieces Reissued By Time Traveler Recordings

Read "More Muse-ical Masterpieces Reissued By Time Traveler Recordings" reviewed by Joshua Weiner


Shortly after the label was sold to Fantasy in 1971, Prestige Records producer Joe Fields founded Muse Records to document the next phase in jazz. Selections from the Muse catalog are now being given audiophile-quality vinyl reissues by producer Zev Feldman, whose new imprint, Time Traveler Recordings, extends his what he calls his “jazz detective" work for the Resonance, Elemental, and Blue Note labels. Feldman was able to work from the original Muse master tapes, which were thankfully in good ...

Album Review

Roy Brooks: The Free Slave

Read "The Free Slave" reviewed by Angelo Leonardi


Esistono molte ragioni per non farsi sfuggire questa splendida riedizione (anche in vinile dal master originale analogico). Primo:  Il nome del batterista Roy Brooks resta ingiustamente dimenticato anche se gli unici raffronti possibili--musicalmente parlando--sono con Tony Williams ed Elvin Jones. Affetto da un disturbo bipolare Brooks fu spesso internato in case di cura e in carcere ma fu protagonista per anni nei gruppi di Horace Silver, di Yusef Lateef, Charles Mingus e Max Roach. È deceduto nel 2005 a 67 ...

10
Album Review

Woody Shaw: Love Dance

Read "Love Dance" reviewed by Jack Kenny


With Time Travelers, Zev Feldman injects new life into Muse Records, the label founded by Joe Fields in 1972. Muse offered a platform to artists who were often in danger of being overlooked or forgotten by major record companies. Feldman, renowned for his lavishly produced archival releases, has brought the same care and vision to this new series.The Time Travelers series launched in October 2025 with three releases: drummer Roy Brooks's 1972 live album The Free Slave; pianist ...

7
Album Review

Roy Brooks: The Free Slave

Read "The Free Slave" reviewed by Pierre Giroux


Roy Brooks's The Free Slave, newly reissued on Time Traveler Recordings as a 180-gram vinyl LP, stands as a passionate tribute to the drummer's remarkable artistry and his often overlooked role as one of the most rhythmic thinkers of the post-bop period. Recorded live by Muse Records on April 26, 1970, at Baltimore's renowned Left Bank Jazz Society, the session features Brooks leading a stellar quintet that includes trumpeter Woody Shaw, tenor saxophonist George Coleman, pianist Hugh Lawson, and bassist ...

1
Album Review

Eric Dolphy: At Five Spot to Iron Man Revisited

Read "At Five Spot to Iron Man Revisited" reviewed by Alberto Bazzurro


Riunire in un unico CD di quasi ottanta minuti due capolavori cosa determina? Un capolavoro al quadrato, ovviamente, ed è quanto avviene in questo album semplicemente maestoso, i cui primi tre brani riprendono il live inciso al Five Spot il 16 luglio 1961 dal quintetto da favola riunito per l'occasione da Eric Dolphy, all'epoca trentatreenne, il cui nome iniziava finalmente a circolare con una certa insistenza nel mondo del jazz anche al di là dei colleghi che già ne conoscevano ...


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