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Phillip Golub: Partisan Ship
by Mike Jurkovic
In a lot off ways, it is a game of catch-up listening to Brooklyn pianist/improvisor/composer Phillip Golub once he kick-starts the oddly titled Partisan Ship into high gear with “Loyalty Oath," a piece of mad musical fiction that holds attention in place with its octopi rhythms and runaway melodies rushing in all at once. Partisan Ship is oddly titled because Golub, an unapologetic polymath far out on the progressive spectrum, and his juiced and jazzed up cohorts--clarinetist and ...
Continue ReadingLex Korten: Canopy
by Jerome Wilson
Lex Koeten's Canopy is a project of different musical styles swirled together in a dizzying stew. It sounds discordant on first listen but ultimately this collection of jumpy prog freakouts, delicate ballads and misty ambience hangs together as parts of the same whole. Korten creates all this out of a simple lineup of keyboards, voice, alto sax, guitar, and drums. The opening “Oasis Walking" feels like the work of an adventurous singer-songwriter like Sarah McLaughlin or Beth Orton ...
Continue ReadingPeter Lenz: Breathe
by Angelo Leonardi
Dopo aver espresso ottime doti di strumentista e leader col quintetto Silent Flow e col quartetto Lithium, il batterista austriaco debutta con successo nel campo dell'orchestrazione, scegliendo di operare con tre differenti organici: una big band di 17 elementi (nei brani “Enclouded" ed “Eleanor"), una big band ampliata a un quartetto d'archi (in “Between Lines" e “Von Inneren Grenzen") ed un ensemble da camera comprendente quartetto d'archi, tre fiati, contrabbasso e batteria (in “Breathe") Volendo dirigere personalmente gli ...
Continue ReadingAdam O'Farrill: For These Streets
by John Sharpe
With For These Streets, trumpeter and composer Adam O'Farrill presents a sharply contoured, richly imagined statement for mid-sized band--his most complete vision to date. Drawing on an eclectic range of influences, from 1930s-era music, literature and film to the rhythms of contemporary urban life, O'Farrill leads a wily crew of his peers through a program that moves with narrative cohesion. Though not a suite in the formal sense, the album unfolds like one, the pieces linked by emotional throughlines and ...
Continue ReadingAdam O'Farrill: For These Streets
by Mark Corroto
Trumpeter and composer Adam O'Farrill distills a heady mix of inspirations into For These Streets, the debut release from his new octet. Drawing on music, literature and the ambiance of the 1930s, the album reflects his immersion in the era--Henry Miller's prose, Charlie Chaplin's City Lights, and the sonic worlds of Stravinsky, Ravel, Carlos Chávez and Kurt Weill. None of this background is necessary to appreciate the music, nor is it mentioned in the packaging. But knowing it adds a ...
Continue ReadingAdam O'Farrill: For These Streets
by Angelo Leonardi
Con questo nuovo disco Adam O'Farrill scrive una delle pagine più avvincenti del 2025, confermando di non essere solo un magistrale trombettista ma un compositore d'alto spessore anche per medio organico. Nei quattro album col quartetto Stranger Days, ha dimostrato di saper integrare con coerenza le forme del post bop degli anni sessanta con gli sviluppi delle avanguardie successive e in questo ottetto stellare prosegue, ampliando lo spettro armonico e timbrico con l'uso di vibrafono (Patricia Brennan), chitarra ...
Continue ReadingVeronica Swift: Veronica Swift
by Mike Jurkovic
Leave it to the irascibly spirited and octane-charged Veronica Swift to release the party record of the year! From the pure joy scatting of the blast-off opener “I Am What I Am" (from Broadway's grand musical La Cage aux Folles) to the rabble rousing, mad-cap Joan Jett jam with The Ramones finale “Don't Rain On My Parade" (only available on the CD and digital versions), the incredibly talented and free-swinging Swift swings for the fences and wins the home-run derby ...
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