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About Modern Jazz Quartet
Instrument: Band / ensemble / orchestra
Results for pages tagged "Modern Jazz Quartet"...
Modern Jazz Quartet
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The Modern Jazz Quartet was a major jazz institution, a band that, counting a seven-year “vacation,” lasted 43 years. During a time when jazz musicians were stereotyped as unreliable, rarely sober and erratic, the MJQ played at concert halls while wearing tuxedos. They are not known to have ever been late, missed a gig, or disappointed an audience. The Modern Jazz Quartet’s evolution began in the Dizzy Gillespie big band of 1946. Due to the complexity of the charts and the strain that it caused in the trumpet section, Gillespie featured his rhythm section on an occasional number
Sonic Loops: Eight Miles High on the Psychedelic Trane
by Alan Bryson
In the popular music of the '50s, the landscape revolved around individual vocalists, vocal harmony groups, and instrumental ensembles. In the early '60s, something radical emerged: self-contained groups--a collective of individuals with a group dynamic and identity. They wrote, sang, played instruments, and performed as a unified artistic whole. This represented a structural revolution in how ...
Bill Evans: At The BBC 1965
by Joshua Weiner
Jazz 625 was a British television show, hosted by trumpeter Humphrey Lyttelton, that ran from 1964 to 1966 on BBC2; the name comes from the higher-resolution 625-line UHF system that the station employed for broadcast. The show featured a variety of British musicians as well as top American artists such as Art Blakey, Jimmy Giuffre, Dave ...
Immanuel Wilkins Quartet: Immanuel Wilkins Quartet: Live At The Village Vanguard
by Mike Jurkovic
Firebrand alto-saxophonist Immanuel Wilkins takes over the Village Vanguard and keeps it loose, y'all. From the rogue bossa nova “Ring Shout" and its immediate successor, “Composition II," each scenario has its very own sweep and sway. Take, for instance, the hell-raising, elders-chant fever inherent in “Composition IX." Twenty-three raucous, raise-the-rafters minutes wherein each participant--pianist and fellow ...
Listening To Prestige
by Kyle Simpler
Listening To Prestige Tad Richards 278 Pages ISBN: # 9798855804959 Excelsior Editions/State University of New York 2026 Shortly after World War II ended, a young music lover named Bob Weinstock opened a record store in Times Square, New York City. The store specialized in jazz recordings, the music that ...
Carolyn Trowbridge: Found Memories
by Jerome Wilson
There has been a notable increase in the number of prominent vibraphone players in the creative music world as 2026 unfolds. People like Joel Ross, Patricia Brennan, Sasha Berliner, and Simon Moullier have all been making names for themselves the past few years. Another one to pay attention to is Carolyn Trowbridge out of Austin, Texas. ...
Classic jazz from Shirley Scott and more, and birthday shoutouts to Behn Gillece and Maceo Parker among others
by David W. Daniels
Classic music per the headline, plus the Modern Jazz Quartet, Jimmy Smith, and Joe Williams with Ella Fitzgerald and more! Recently released music from Roy Hargrove, Joel Ross, Snarky Puppy and more. Birthday recognition per the headline, plus Sharel Cassity, Rufus Reid, Omar Hakim, and Eugene McDaniels (songwriter of “Compared To What").Playlist Alchemy Sound ...
The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life
by Katchie Cartwright
The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life John Gennari 264 Pages ISBN: #978-1-68458-285-3 Brandeis University Press 2025 Award-winning author, University of Vermont professor and Berkshire County native John Gennari encapsulates his fascinating history of The Jazz ...
Results for pages tagged "Modern Jazz Quartet"...
Fabienne Ambuehl
Fabienne Ambuehl is a London-based pianist, singer and composer born in Switzerland. Her new album ‘Thrive‘ was released in January 2025 on Ubuntu Music and has received the Presto Music Award for "Jazz Recording of the Year 2025". The band successfully launched the album with a sold-out concert at the Vortex Jazz Club in London.
‘Thrive‘ has received glowing reviews from the international jazz press. Jazzwise Magazine rewarded it 4 stars and it has received regular radio play in the UK, including BBC Radio 3 Jazz Record Requests, ‘Round Midnight and Night Tracks. The single ‘New Ones’ was on the JazzFM playlist for several weeks. On the Catalan public radio 3cat, there is an hour-long programme about Fabienne's music. The album was also presented on Deutschlandfunkkultur and ARD Jazz - Das Magazin and was selected “Album of the Week” on both Presto Music and the German Rondo - Magazin für Klassik und Jazz.
Her band is a dynamic ensemble of brilliant musicians – Matt Ridley on bass (The Antidote, The Darius Brubeck Quartet) and Jon Scott on drums (Mulatu Astatke, GoGo Penguin, Sons of Kemet XL), with special guest guitarists Tom Ollendorff and Ant Law. Ambuehl has a strong sense of ensemble interplay and balance between individual expression and collective cohesion. As Rondo - Das Klassik & Jazz Magazin put it: “Thrive convinces with warmth, precision and excellent interplay of the band”.
Ambuehl’s music is inspired by her surroundings, from the sounds and silence of the mountains, where she finds a deep connection with nature, to the rhythms and soundscapes of the big city. Her melodic ideas and detailed arrangements are rooted in jazz, playing with a folk-tinge and showcase her expressive and supple piano playing. Her vocals “are crystal clear, distinct and refreshingly free of jazz clichés” (Neil Duggan, AllAboutJazz) and as a writer she “has a poetic sensibility and uses expertly a range of poetic techniques in her lyrics” (Trevor Hodgett, 4 stars in RNR magazine)
Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation
by Artur Moral
Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...
