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Musician

Julius Watkins

Born:

Julius Watkins was an American jazz musician, and one of the first jazz French horn players. He won the Down Beat critics poll in 1960 and 1961 for "miscellaneous instrument" with French horn named as the instrument. Watkins was born in Detroit, Michigan. He started playing French horn when he was nine years old, having played the trumpet, the recognized jazz instrument, for the Ernie Fields Orchestra in the mid-1940s. By the late 1940s, however, he had played some French horn solos on Kenny Clarke and Babs Gonzales' records. After moving to New York City, Watkins studied for three years at the Manhattan School of Music

16

Article: Album Review

Andrés Coll: Ride to Heaven

Read "Ride to Heaven" reviewed by Artur Moral


Some instruments can come across as far removed from the jazz orbit--especially when we think of them as vehicles for a soloist's showcase. Yet a number of resolute experimenters have worked hard to prove otherwise, with commendable skill. Among others, such is the case with Dorothy Ashby on harp, Julius Watkins on French horn and Garvin ...

11

Article: Album Review

Charlie Rouse: Cinnamon Flower: The Expanded Version

Read "Cinnamon Flower: The Expanded Version" reviewed by Angelo Leonardi


Il decennale sodalizio con Thelonious Monk ha dato ampia notorietà a Charlie Rouse ma ne ha anche oscurato l'immagine e le potenzialità che aveva espresso negli anni cinquanta (quando suonò nelle orchestre di Duke Ellington e Count Basie, si unì al quintetto di Bennie Green e fondò con Julius Watkins i Jazz Modes). Dopo aver lasciato Monk nel ...

Album

Thelonious Monk with Sonny Rollins 1953 to 1957 Revisited

Label: ezzthetics
Released: 2025
Track listing: Let's Call This; Think of One; Friday the 13th; Brilliant Corners; Ba-lue Bolivar Ba-lues Are; Pannonica; Bemsha Swing; Misterioso; Reflections.

Album

Fontainebleau & Magic Touch Revisited

Label: Ezz-thetics
Released: 2024
Track listing:
Fontainebleau:
Fontainebleau; Delirium; The Scene Is Clean; Flossie Lou; Bula-Beige.
The Magic Touch:
On A Misty Night; Fontainebleau; Just Plain Talkin’; If You Could See Me Now; Our Delight; Dial B for Beauty; Look Stop and Listen; Bevan’s Birthday; You’re a Joy; Swift as the Wind.

7

News: Recording

Craft Recording Celebrates the Enduring Legacy of Savoy Records and the Revolutionary Bebop Era with 'The Birth of Bop'

Craft Recording Celebrates the Enduring Legacy of Savoy Records and the Revolutionary Bebop Era with 'The Birth of Bop'

Featuring Painstaking Recreations of the Five 10-Inch LP Compilations That Were Originally Released by Savoy in 1952 and 1953, This Collection Includes 30 Newly Remastered Tracks Spanning 1944–1949 Craft Recordings proudly celebrates the legacy of Savoy Records with an all-new collection that chronicles the groundbreaking era of bebop (or bop) music. An essential introduction to this vital period in jazz music, The Birth of ...

34

Article: Out and About: The Super Fans

Meet Abe Goldstien

Read "Meet Abe Goldstien" reviewed by Tessa Souter and Andrea Wolper


You can have your “Dry Cleaner From Des Moines"--we're putting our money on our latest jazz Super Fan from Des Moines. Former adman Abe Goldstien lists his passions as his wife, his two children, and jazz. Retired though he may be, Abe doesn't show any signs of slowing down, keeping up a busy schedule volunteering for ...

5

Article: Album Review

Quincy Jones And His Orchestra: Live In Ludwigshafen 1961

Read "Live In Ludwigshafen 1961" reviewed by Dan Bilawsky


Artistic dreams and financial realities are rarely in alignment. That's a sad fact that the great Quincy Jones learned the hard way at the dawn of the '60s. Jones was in Europe at the time, directing a dream orchestra that he put together for the musical Free And Easy. When that show closed in February of ...

13

Article: Building a Jazz Library

Rare and Unusual Instruments in Jazz

Read "Rare and Unusual Instruments in Jazz" reviewed by Hrayr Attarian


Historically the cornet was the quintessential jazz instrument but over a century of its evolution other instruments have also become part of the regular jazz armamentarium. These include common ones such as the piano, saxophone, bass and drums to the more occasionally appearing violin, clarinet and other percussion instruments. There are few, however, that exhibit unique ...

5

Article: Interview

Dwayne Burno: Tradition

Read "Dwayne Burno: Tradition" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] Dwayne Burno is one of the great bass players of his generation. Originally from Philadelphia, Burno has been on the New York and international jazz scene since 1990. He has played with so many of the great legends of jazz: Betty ...


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