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Pat Thomas
Pat Thomas, Dominic Lash, Tony Orrell: Lifeline
by John Sharpe
New bottles, same wine? On Lifeline, Pat Thomas, Dominic Lash and Tony Orrell, who operate under the moniker Bley School with acoustic instruments, convene in the studio with electronics. The trio's defining traits--deep listening, volatility and reflexive interaction--persist, but now unfold through circuitry rather than strings and skins. Furthermore, in place of the covers favored in their parallel incarnation, they dispense with lead sheets and leap into the unknown. As a result agency blurs in sometimes opaque collages of ricocheting ...
Continue ReadingShifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders: Ecliptic
by John Sharpe
Scrubbed piano strings, malleted drums and a tenor saxophone testing the air may not conjure the usual Sunday-afternoon reverie, yet that is how the trio Shifa ignited its early-2023 matinee at north London's Café Oto. Ecliptic, the group's third document following Live at Café Oto (577 Records, 2019) and Live in Oslo (577 Records, 2020), captures pianist Pat Thomas, saxophonist Rachel Musson, and drummer Mark Sanders in the sort of unpremeditated council that has made them pillars of the UK ...
Continue ReadingPat Thomas: HIKMAH
by Mark Corroto
Imitation may be the sincerest form of flattery--except, perhaps, when pianist Pat Thomas takes on the music of jazz legends. In those cases, what emerges is not imitation at all, but transformation. On albums such as Plays the Music of Derek Bailey & Thelonious Monk (FMR, 2008) and Pat Thomas Plays The Duke (New Jazz and Improvised Music Recordings, 2022), Thomas engages directly with the work of others, yet always sounds entirely like himself. He is, in every sense, the ...
Continue ReadingPat Thomas: Sufi Women
by Fran Kursztejn
Virtuoso pianist Pat Thomas released one of the finest (and most frustrating) solo performances of this decade with 2024's The Solar Model of Ibn Al-Shatir (Otoroku), and follows with a no-less important, intimate coda in Sufi Women. “Dedicated," as Thomas proclaims, “to the remarkable contribution of Sufi women in the spiritual science...known as Sufism (Islamic mysticism) in the west," the record is fittingly a strange, multidimensional collection of ecosystems, torn from the physical jumbling of the keys to the metaphysical ...
Continue ReadingNeil Charles Quartet: Dark Days
by Mark Corroto
In 2025, amid global unrest and political fracture, the 1963 March on Washington for Jobs and Freedom can feel like a distant dream, and Dr. Martin Luther King Jr.'s “I Have a Dream" speech like a myth from a gentler past. Has social media, with all its noise and manipulations, induced a kind of societal amnesia? Has King's “arc of the moral universe" begun to bend backward under the weight of cynicism and fatigue? If your glass is half empty, ...
Continue ReadingShifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders: Ecliptic
by Mark Corroto
Some books are divided into chapters--numbered, titled, and carefully structured. The musical equivalent is the tracklist: segmented, labeled pieces presented in order. But Ecliptic by the trio Shifa (شفاء, Arabic for “healing") rejects that format entirely. This 46-minute set of improvised music by saxophonist Rachel Musson, pianist Pat Thomas and drummer Mark Sanders unfolds without titles, track divisions, or breaks. It is a single, uninterrupted performance recorded live at London's Café OTO in February 2023. Like their previous ...
Continue ReadingPat Thomas: This is Trick Step
by Mark Corroto
Where to begin with the music of Pat Thomas? The London-born pianist began his journey in classical music before a televised performance by Oscar Peterson led him down the path of jazz and free improvisation. Over the past forty-plus years, Thomas has forged a singular voice in the avant-garde, contributing to groundbreaking ensembles such as the About Group, Black Top, the London Improvisers Orchestra, اسم (ism), and the critically acclaimed quartet أحمد (Ahmed) with Antonin Gerbal, Seymour Wright, and Joel ...
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