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Masaru Koga
Yelena Eckemoff: Lonely Man and His Fish
by Tyran Grillo
After a run of emotionally expansive albums, pianist and composer Yelena Eckemoff once again pivots without losing her center. Reinvention has become part of her artistic language, and here it arrives with a new cast and a story told in patient detail. Kirk Knuffke appears on cornet, Masaru Koga on a flute modified with a shakuhachi mouthpiece, Ben Street on double and electric bass, and Eric Harland on drums and percussion. Together they inhabit a two-disc narrative that follows the ...
Continue ReadingYelena Eckemoff: Lonely Man and His Fish
by Dan McClenaghan
A Moscow-raised, classically-trained pianist, Yelena Eckemoff made the move to the United States in 1991, after being bitten by the jazz bug via a Dave Brubeck concert she attended in Moscow in 1987. In 2010, after settling with her family in rural North Carolina, she released Cold Sun (L & H Records), a trio outing featuring bassist Mads Vinding and drummer Peter Erskine. She followed up this fine debut with several more albums, all on her L & H Label, ...
Continue ReadingVicki Burns: Lotus Blossom Days
by Richard J Salvucci
Who knew “Del Sasser" had lyrics? Part of the joy of listening to new recordings is finding such things out. And Vicki Burns does a convincing job of it. In this intriguing compilation of standards--yes, musicians can record from the Great American Songbook (GAS) without disgracing themselves, no matter what anyone says--bop heads and originals, Vicki Burns acquits herself admirably. She is solid evidence that the singer makes the song, rather than the other way around. ...
Continue ReadingVicki Burns: Lotus Blossom Days
by Jeff Winbush
Whatever else can be said about jazz, there is little disagreement that it is best experienced in a live setting. Listening to Vicki Burns' Lotus Blossom Days is as close to a front-row seat in a New York nightclub as many of us are likely to get in these times of high fuel costs and crowded airports. Burns is not attempting to blow the roof off with vocal gyrations and tricks. She never oversings as she tries to ...
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