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Mark O'Leary
Mark O'Leary was born in Cork City Ireland.Being mainly auto didactic on guitar, he played with a number of local bands including; Midway that led to joining the cult band Interference for a brief period and Mandrake Root with Brendan O'Connor of RTE and a Synth-Pop band called Voltaire with initial influences The Human League and Cabaret Voltaire. Björk is an influence. Bill Laswell has influenced Mark. One of Mark's primary formative influences were Kraftwerk and he alludes to his electronic music as Post-Kraftwerk. He is also influenced by Tangerine Dream and has produced the In Search of Hades Series (II-IV). Depeche Mode are an important Electro Synth Pop Influence. Ryoji Ikeda is a major influence. His electronic music contains influences of Ryuichi Sakamoto. Joy Division were the primary influence for his first bands. Japan were a formative influence on his embryonic work and also David Sylvian. Gary Numan has influenced his Electronic music. He was also influenced by Orchestral Manoeuvres in the Dark. Mike Oldfield was a formative influence. He Studied the tape-loop experiments of Steve Reich at Musicians institute, Los Angeles, and Steve Reich has influenced his album 4 Urban Landscapes. He also studied Karlheinz Stockhausen's Tape Music Collages at Musicians Institute and counts him as a major influence. His ambient work is influenced by Brian Eno. Ligeti is also a significant influence. He has also been influenced by Philip Glass. He moved to Los Angeles at the age of 17 to study at Musicians Institute,from where he later graduated. He was the guitar/music teacher of academy award winning best actor Cillian Murphy. He has presented his music in 29 countries and has played at some of the worlds top Jazz festivals and the Kennedy center twice, Knitting Factory, Tonic, CBGB's, Nublu, Luciano Pavarotti Centre, and the Bowery. He had the distinction of performing in the Kenny Wheeler quartet, performed with David Murray and Larry Coryell. He toured Europe and was a member of Canadian Pianist Paul Bley's Last trio where he replaced Bill Frisell. He recorded White Album with Paul Motian, If I see Further than you with Joey Baron and Michael Formanek, as well as A Simple Question with Marc Johnson and Bill Stewart. All on the TIBProd Italy imprint. He toured and recorded the seminal Awakening album with Steve Swallow and Pierre Favre, which earned a review in Jazzwise UK alluding to O'Leary as the most creative guitarist in Ireland and Ireland's best kept secret. He recorded Levitation with Tomasz Stanko and Billy Hart. Mark O'Leary also performed in a historic Duo concert with Tomasz Stanko in the Titanic bar, Cobh Co. Cork performing O'Leary's composition; Titanic Murals, The Titanic Bar was the final sailing point of the RMS Titanic. His album Waiting with Cuong Vu and Tom Rainey which Brian Morton has termed magnificent and had John Fordham of the Guardian praise O'Leary as a superb acoustic guitarist.
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Mark O'Leary / Peter Friis-Nielsen / Stefan Pasborg: Stoj
by Mark Corroto
In the aptly named Guerilla Series, for Ayler Records, this trio does, indeed, fight a little war," recording this limited release (400 copies) as a hit-and-run ambush of destruction and noise. Støj is quite surprising for O'Leary, whose previous outings found him detailing more muted sounds with the likes of Supersilent on St. Fin Barre's (Leo, 2009), Tomasz Stanko on Levitation (Leo, 2005), and Cuong Vu on Waiting (Leo, 2007). Here, the Irish guitarist teams with the ...
Continue ReadingMark O'Leary / Matthew Shipp: Labyrinth
by Glenn Astarita
Like impressionist painters, guitarist Mark O'Leary and pianist Matthew Shipp execute a colorific sequence of abstracts, consisting of semi-structured theme-building developments and free-form dialogues. With blitzing firepower, the duo also fuses nuance and temperance into the big picture. They dish out linear, micro-motifs amid subtle shadings, and fragmented exchanges, but O'Leary ups the ante during several movements via his dark-toned, breakneck single note licks.
Shipp's flickering progressions and rhythmically inclined block chords offer a fertile underpinning throughout. They ...
Continue ReadingMark O'Leary: Plucking the Flower
by Eyal Hareuveni
Irish guitarist Mark O'Leary emerged on the global improvised music scene in the last few years, pushing his bold vision and broad scope of musicality through constantly-changing collaborations. O'Leary can cross easily between genres, from progressive, synth-laden rock and seventies fusion to free jazz and abstract soundscapes.The guitarist's encyclopedic interests and remarkable prolificacy are amongst the many subjects he covers in this latest installment of In The Artist's Own Words. Beginning and Formative Influences Mark O'Leary: ...
Continue ReadingMark O'Leary & Sunny Murray: Ode To Albert Ayler
by Glenn Astarita
The digital download-only Ode To Albert Ayler captures gifted Irish guitarist Mark O'Leary improvising with free-jazz and former Albert Ayler and Cecil Taylor drummer Sunny Murray during a 2002 studio session. Here, O'Leary delves into free-form jazz shaded music at the onset of his recording career, prior to his extensive recording projects for Leo Records and other European record labels.
O'Leary gels into various frenzies amid Murray's textural drumming, where the artists perform within the spirit ...
Continue ReadingMark O'Leary: St Fin Barre's
by Glenn Astarita
This trio outing, recorded live with no rehearsals at St. Fin Barre's Cathedral, Cork City, Ireland, would signify a new chapter in Irish guitarist Mark O'Leary's rapidly expanding discography. However, the session took place in 2002 featuring Norwegian keyboardist Stale Storlokken performing on church organ and drummer/percussionist Stein Inge Braekhus. On a side note, the session offers an absolute contrast to the guitarist's striking, free-jazz/fusion 2008 FMR release with Storlokken and drummer John Herndon, Ellipse.
The cathedral acts ...
Continue ReadingMark O'Leary / Kenny Wollensen / Jamie Saft: The Synth Show
by Kurt Gottschalk
Irish guitarist Mark O'Leary has built a nice relationship with Leo Records over the last few years, having recorded for the label with Mat Maneri, Matthew Shipp, Eyvind Kang, Uri Caine, Steve Swallow and others. O'Leary seems to favor the trio setting and enjoys throwing himself into new contexts. His ninth Leo release, The Synth Show, with Kenny Wollesen on percussion and Jamie Saft on synthesizer, may be his most surprising outing yet. Saft and Wollesen are ...
Continue ReadingMark O'Leary: Flux and Shamanic Voices
by Eyal Hareuveni
These two releases by the exceptional Irish guitarist Mark O'Leary feature him at his best. On two undated sessions, O'Leary paired himself with singular yet highly collaborative musicians. The meetings which followed recalibrated O'Leary's playing away from its usual avant-fusion inclination and towards a new form of freer expressive articulation. Mark O'Leary/Dylan Van Der Schyff/Wayne Horvitz Flux FMR 2007
O'Leary has recorded before with pianists--on Chamber Trio with Matthew Shipp and on ...
Continue ReadingIrish Guitarist Mark O'Leary, In His Own Words, at AAJ
Source:
All About Jazz
Irish guitarist Mark O'Leary emerged on the global improvised music scene in the last few years, pushing his bold vision and broad scope of musicality through constantly-changing collaborations. O'Leary can cross easily between genres, from progressive, synth-laden rock and seventies fusion to free jazz and abstract soundscapes.
The guitarist's encyclopedic interests and remarkable prolificacy are amongst the many subjects he covers in this latest installment of AAJ's column, In The Artist's Own Words, organized by AAJ contributor Eyal Hareuveni.
Check ...
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Mark O'Leary "Ellipses" on FMR Records
Source:
All About Jazz
Mark O'Leary Trio - Ellipses (FMR 254; UK) Featuring Mark O'Leary on guitar & electronics, Stale Storlokken on synth & samples and John Herndon on drums. Considering that Irish daredevil guitar wiz, Mark O'Leary's career is not yet a decade old, he has already unleashed more than a dozen discs as a leader on various labels like Leo, FMR & Clean Feed. Each one of his dozen+ discs features a different trio or duo from around the world an each ...
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For some time now, O'Leary has seemed likely to deliver a great album; here it is. John Eyles BBC website review Waiting O'Leary is a superb acoustic player, as the opening track demonstrates,Waiting rvw John Fordham Both O'Leary and Caine are highly sophisticated performers drawing on both jazz and contemporary-classical materials.There are tunes that duck and dive like Morricone themes for thrillers,Frisell like drifters,even unexpectedly lyrical guitar-ballad ruminations. O'Leary is a gathering force Closure rvw John Fordham, The Guardian Each note glows like a glowing and wheeling like a firefly in the night sky, O'Leary achieves a fine tension between the mellifluous and the abstract
Photos
Music
Waves
From: Waves IIIBy Mark O'Leary
Theme From Waiting
From: Live In IstanbulBy Mark O'Leary
Obsession
From: SnowBy Mark O'Leary





