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Julian Lage: Scenes From Above
by Jack Kenny
There are always expectations when Julian Lage plays: effortless, assured virtuosity and melodic finesse. Those qualities are present here, but they are deliberately understated, subsumed within a broader emphasis on collective interplay. Produced by Joe Henry, the album resists any attempt to remake Speak to Me. Instead, Lage sought to create an egalitarian session, explicitly avoiding a leader-centric approach. As he has suggested, this was not about “I'm the leader--let's build something around me," but rather about fostering ...
Continue ReadingShai Maestro: The Guesthouse
by Neil Duggan
This is pianist Shai Maestro's second release since signing for Naive in 2025. The first, Solo: Miniatures & Tales (Naïve, 2025), was a personal exploration; in deliberate contrast, The Guesthouse is expansive, open and collaborative. Maestro describes the album as “my attempt to turn the creative chaos that lives in mind into one coherent artistic statement, always having a simple melody as a thread that tells the story of this collective." Inspired by Rumi's poem The Guesthouse, Maestro ...
Continue ReadingJeremy Udden: Wishing Flower
by Angelo Leonardi
Jeremy Udden è un sassofonista e compositore dallo stile impressionista, che predilige atmosfere intime di sapore folk, in temi melodicamente lenti e descrittivi. Come spiega nelle note del disco, le sue composizioni sono ispirate al suo vissuto biografico di giovane nato e cresciuto nel contesto rurale del Massachusetts ed entrato poi nella dimensione urbana. Residente da anni a Brooklyn, Udden osserva la gioia della figlia nei percorsi casa-scuola, quand'è attratta dalla bellezza dei fiori che nascono spontaneamente nei giardini o ...
Continue ReadingJulian Lage: View With A Room
by Dan McClenaghan
View With A Room looks in on two generations of American guitarists; the younger generation is represented by Julian Lage, the leader of the effort, and the older generation by Bill Frisell, who sits in on seven of the ten original Lage tunes ("Echo" is co-written by Lage and the set's bassist Jorge Roeder). Following up on Lage's 2021 Blue Note Records debut, Squint (and let's give the label's boss, Don Was, a big tip of the hat ...
Continue ReadingJulian Lage: Squint
by Mario Calvitti
Dopo aver scritturato negli scorsi anni due chitarristi di indubbio valore come Nels Cline e Bill Frisell, la Blue Note mette a segno un nuovo colpo assicurandosi i servigi di un altro virtuoso della sei corde, l'ex enfant prodige Julian Lage (che in realtà era già comparso in un titolo della label al fianco proprio di Cline come membro del suo quartetto in Currents, Constellations). Questo Squint rappresenta il suo esordio da titolare per l'etichetta, alla guida di un trio ...
Continue ReadingJulian Lage: Squint
by Chris May
Before discussing guitarist Julian Lage's album, some food for thought... A credible argument could be put forward to say that the jazz piano trio reached its pinnacle of perfection with Bill Evans' Village Vanguard performances of June 1961, with the trio of bassist Scott La Faro and drummer Paul Motian, and that trios led by guitars, another chordal instrument, have long since replaced piano led trios at the evolutionary edge of the music. Still thinking aloud, as it ...
Continue ReadingShai Maestro: Human
by Mike Jurkovic
That pianist Shai Maestro dreams music is an understatement: With an intense romanticist's heart, he also plays in said dream state. And it is re-affirming to know that, after the hellish year the world has been dragged kicking through, that we can all dream too. Human dreams broadly with sunrises, sunsets and all the vulnerability in-between. Amid his steadfast and quick-witted rhythm section-- drummer and fellow Israeli Ofri Nehemya and Peruvian bassist Jorge Roede--Maestro adds the equally impassioned ...
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