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Edmar Colón
Mehmet Ali Sanlikol: The Electric Oud Man Speaks And You Listen…
by Kyle Simpler
Jazz has long operated with something like an open-door policy, absorbing influences from classical, folk, rock, and beyond. Turkish-American composer Mehmet Ali Sanlikol extends that tradition in a particularly personal way on The Electric Oud Man Speaks...And You Listen, a five-track project that brings Turkish makam, jazz improvisation, and rock energy into a shared musical language. Sanlıkol's musical background reflects that synthesis. Raised in Istanbul by a classical pianist mother, he grew up surrounded by Beethoven, Mozart, and Chopin ...
Continue ReadingAlain Mallet Mutt Slang 2: A Wake of Sorrows Engulfed in Rage
by Paul Rauch
The art of jazz would seem to be a mystery to most, and at the same time, a language understood by many. In the entirety of its history, it has served as a central location for idiomatic change, a virtual jumping off point for explorative ventures into both new and traditional world forms. The wide lens of the music of pianist/composer Alain Mallet mirrors in a way, the large embrace of all humankind necessary globally to build a meaningful dialog ...
Continue ReadingLefteris Kordis: Mediterrana
by Franz A. Matzner
Jazz's ability to absorb new musical traditions and take advantage of novel instrumentation is one of its most notable features. Fans of this form of experimentation will appreciate pianist Lefteris Kordis' forays into merging jazz with traditional Greek and other Mediterranean lineages. Delivered as a series of piano trio plus guest artist compositions, Mediterrana's strength is the subtle blending of timbers Kordis deftly guides from behind the piano, and a consistently restrained approach which results in a refined ...
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