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Album Review

Metropole Orkest: Arakatak

Read "Arakatak" reviewed by Angelo Leonardi


L'olandese Metropole Orkest celebra il suo ottantesimo anniversario evitando di compiacersi del ricchissimo e prestigioso passato ma vivendo la contemporaneità in costante tensione innovativa. Per l'occasione pubblica esclusivamente in vinile, Arakatak, un sontuoso doppio LP contenente otto composizioni commissionate a Morris Kliphuis, Vince Mendoza, Donny McCaslin, Miho Hazama, Tineke Postma, Mark Guiliana, Shai Maestro e Louis Cole. La conduzione orchestrale è di Miho Hazama. Ottanta anni di storia fanno dell'orchestra olandese un unicum nella musica extra-colta in Europa ...

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Radio & Podcasts

Metropole Orkest, Michael League, Booker Stardrum, Luca Dell'Anna & More

Read "Metropole Orkest, Michael League, Booker Stardrum, Luca Dell'Anna & More" reviewed by Ludovico Granvassu


This week we celebrate 80 years of music by the Metropole Orkest, the restless spirit of Michael League, and flying carpets made of percussions, pianos and Hammond organs that take the listener to a hypnotic new dimension.Happy listening!Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Parlor Greens “Eat Your Greens" Emeralds (Colemine) 0:16 Host talks 3:49 Snarky Puppy, Metropole Orkest “Only Here and Nowhere Else" Somni (GroundUP) 4:47 Host talks 11:30 ...

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Album Review

Vince Mendoza/Metropole Orkest: Olympians

Read "Olympians" reviewed by Jack Bowers


Eight-time Grammy-winning composer/arranger Vince Mendoza, born and raised in Norwalk, CT, has enjoyed great success overseas--in Europe, to be more precise--since releasing an album with Germany's WDR Big Band in 1994. The following year, Mendoza began collaborating with the Dutch Metropole Orkest and in 1998 was named its principal guest conductor. Olympians is Mendoza's third recording with the massive, string-laden Metropole. He has recorded other albums with the London and Czech Symphony Orchestras. Here in the U.S., ...

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Album Review

Vince Mendoza Metropole Orkest: Olympians

Read "Olympians" reviewed by Richard J Salvucci


Many years ago Dizzy Gillespie recorded an album called The New Continent (Limelight, 1965). Whether it was commercially successful is hard to say, but it featured an all-star cast of Los Angeles session players. The recording made a deep impression on some listeners because it was creative, dynamic, exotic and simply enjoyable. Good compositions (by Lalo Schifrin), arrangements and musicians will do that, even if the result is a bit different than mainstream jazz. Or mainstream Gillespie. ...

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Radio & Podcasts

Take Me Downtown, It's a Hot Summer Night

Read "Take Me Downtown, It's a Hot Summer Night" reviewed by Mary Foster Conklin


The first broadcast of the Summer includes hot new releases from saxophonists Pureum Jin and Stan Getz, flutist Ragan Whiteside, pianist Yoko Miwa, vocalist Lauren Henderson, and the Ed Palermo Big Band, with birthday shout outs to Sammy Cahn, Manny Albam, Jaimie Branch, Cyndi Lauper, Sue Raney and Deborah Weisz, among others. Happy Solstice ! Playlist Kait Dunton “Summer Solstice" from trioKAIT (Real, Imagined Music) 00:00 Charles Ruggiero, Hilary Gardner “Come As You Were" from Play the Bird ...

Album Review

Reinier Baas, Ben van Gelder, Metropole Orkest: Smash Hits

Read "Smash Hits" reviewed by Vincenzo Roggero


Il chitarrista Reinier Baas ed il sassofonista Ben van Gelder pur essendo ancora in giovane età (trentatré anni il primo, trenta il secondo) vantano già diversi riconoscimenti internazionali, numerose collaborazioni prestigiose, e un'intensa attività concertistica che solo nell'ultimo anno li ha visti condividere il palco oltre duecento volte (tra le quali le apprezzate esibizioni allo Young Jazz Festival di Foligno e alla Sala Vanni di Firenze).I brani presenti in Smash Hits--già presenti in altra veste nei precedenti album ...

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Album Review

Metropole Orkest: Perfect Vision - The Esquivel Sound

Read "Perfect Vision - The Esquivel Sound" reviewed by Angelo Leonardi


Gli universi paralleli esistono, perlomeno in musica. Negli anni dal 1958 al 1962 il jazz statunitense ha vissuto una fase innovativa così ricca e variegata da assorbire totalmente gli appassionati (fino a oggi), portandoli a tralasciare quanto coesisteva nel vicino universo della pop music. In quegli anni l'industria discografica aveva scoperto il potenziale suggestivo del suono stereofonico e martellava la massa dei consumatori puntando su slogan come “Full Dimensional Stereo," “Living Stereo" o “Stereo Action." Nacquero così molte ...


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