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Jazz Articles about Mary Halvorson
Vicenza Jazz 2026
by Libero Farnè
Vicenza Jazz 2026 Varie sedi 15--18 maggio 2026 “Dalle trombe di Gerico al divino Miles": questo era il sottotitolo della trentesima edizione del festival di Vicenza--dal 2014 in collaborazione con il Teatro Comunale -nell'anno che celebra la nascita di Miles e Trane, due dei giganti che hanno condizionato tutta la storia del jazz, e non solo, a cominciare dalla seconda metà del secolo scorso fino ad oggi. Tanti gli appuntamenti che dal 15 al 25 maggio ...
Continue ReadingMichael Formanek: New Digs
by Glenn Astarita
Michael Formanek has never been content to anchor a bandstand and call it a career. Over decades of work--from sideman stints with Stan Getz and Joe Henderson to the long-running Thumbscrew trio with Mary Halvorson and Tomas Fujiwara--he has operated as a composer and architect, building rooms rather than merely inhabiting them. New Digs recorded over two days in Torres Vedras, Portugal, stands as an ambitious project via this seven-piece trans-Atlantic ensemble shaped by a precise sonic design.
Continue ReadingTomeka Reid Quartet: Dance! Skip! Hop!
by Jeff Cebulski
Spring arrives; along with the typical climactic inconsistencies, the jazz market blooms. One of the early blossoms is a minor label treat, Dance! Skip! Hop! from the cellist Tomeka Reid and her quartet. This could be a major season for the adopted Chicagoan Reid, who is also featured on an ECM album from pianist Craig Taborn, Dream Archives (ECM Records, 2026). Dance! Skip! Hop! Is the album of choice, the second album from the quartet that includes the guitarist du jour Mary ...
Continue ReadingTomeka Reid Quartet: Dance! Skip! Hop!
by Don Ball
If the fourth album from the Tomeka Reid Quartet proves nothing else, it is that the group has shown a remarkable capacity for getting better with each release. Not just in the strength and quality of the compositions, but also through the tightness and cohesiveness of the band. The title Dance! Skip! Hop! is apt for the album as the rhythms roll along through every song, all tying together like an album-long suite. With a band that tends ...
Continue ReadingJazz Interpretations of the French Impressionist Musical Revolutionaries Erik Satie and Claude Debussy
by Larry Slater
Jazz has had its fair share of musical revolutionaries. Charlie Parker in the 1940s. Ornette Coleman in the late '50s and John Coltrane in the '60s.Erik Satie and Claude Debussy were revolutionaries in the classical music world of 19th century France, and both have been a powerful influence on generations of jazz artists.Satie pushed boundaries with music that lacked bar lines and exhibited ambiguous tonality. Debussy was the first composer to cultivate a musical language that ...
Continue ReadingMary Halvorson: About the Ghosts in the Guitar
by Dean Nardi
No, guitarheads, recently Mary Halvorson has been inspired to put out records with her Amaryllis sextet more so than some jaggedy, lyrical shredding, but these are pretty darn good jazz records from a tight ensemble consisting of Adam O'Farrill (trumpet), Jacob Garchik (trombone), Patricia Brennan (vibraphone) and a rhythm section of Nick Dunston (bass) and Tomas Fujiwara (drums). Saxophonists Immanuel Wilkins (alto) and Brian Settles (tenor) join the aforementioned party of six on half the tracks of Halvorson's About Ghosts album, ...
Continue ReadingYe Olde 2: Ye Olde 2: At the End of Time
by Glenn Astarita
Ten years after the first Ye Olde (Yestereve Records, 2015) was framed around a fantasy quest into a riotous Brooklyn guitar summit, trombonist extraordinaire Jacob Garchik returns with Ye Olde 2: At the End of Time, a 48-minute sci-fi prog jazz odyssey stretching from the heat death of the universe to the resurrection of consciousness itself. The original crew--Mary Halvorson, Brandon Seabrook, and Jonathan Goldberger on guitars, Vinnie Sperrazza on drums--anchors six of the eight tracks plus the ...
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