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Jazz Articles about Marshall Gilkes
Maria Schneider Orchestra: American Crow
by Dan McClenaghan
Maria Schneider has a thing for birds. Credible sources have reported sightings of the jazz composer frequenting Central Park wearing a floppy hat, a pair of binoculars hanging from her neck. Her 20-plus minute “Cerulean Skies," from her album (one of her masterpieces) Sky Blue (ArtistShare, 2007) speaks to her love for birds; her fascination with their migratory nature and their arduous flights, which span continents and beyond. The composition “Bluebird," from the “Our Natural World"' half of her 2-disc ...
Continue ReadingRyan Truesdell: Shades of Sound
by Angelo Leonardi
Shades of Sound costituisce il secondo volume del Gil Evans Project di Ryan Truesdell, inciso dal vivo al Jazz Standard di New York. Data d'incisione e organico sono gli stessi di Lines of Color, il primo volume registrato dal 13 al 18 maggio 2014 con una formazione di 23 musicisti più il leader, scelti tra i solisti più brillanti di New York: i sassofonisti Donny McCaslin, Dave Pietro, Steve Wilson, i trombettisti Mat Jodrell e Greg Gisbert, i trombonisti Ryan ...
Continue ReadingRyan Truesdell / Gil Evans Project: Shades Of Sound
by Jack Kenny
Shades of Sound is not about Ryan Truesdell recreating the past. There are excellent reasons to listen to recreations of the music of Gil Evans. As critic Bill Mathieu wrote of Evans, “The mind reels at the intricacy of his orchestral and developmental techniques. His scores are so careful, so formally well-constructed, so mindful of tradition that you feel the originals should be preserved under glass in a Florentine museum" (Mathieu in Max Harrison, Jazz Profiles, 2011). Evans ...
Continue ReadingRyan Truesdell: Shades Of Sound
by Pierre Giroux
Ryan Truesdell's Shades of Sounds: Gil Evans Project Live at Jazz Standard Vol. 2 is a triumphant continuation of his lovingly curated Gil Evans Project--a musical venture focusing on both preservation and revelation. With this latest volume, Truesdell guides us through Evans' well-known sonic landscape and deeper into the vaults, unearthing four never-before-recorded arrangements that offer a renewed understanding of the composer's nuanced brilliance. Truesdell's decision to record live at Jazz Standard is both philosophical and ...
Continue ReadingSergio Pamies: Time to Say
by Jack Bowers
Spanish themes and rhythms reign supreme on Time to Say, Granada-born composer, arranger and pianist Sergio Pamies' fourth album, one that is enhanced on its opening and closing numbers, respectively, by the presence of renowned woodwind artists Dave Liebman and Paquito D'Rivera. Not that Pamies' septet needs much help, as everyone is laser-focused and totally in sync. At the same time, Pamies, trumpeter Alex Norris, trombonist Marshall Gilkes and saxophonist Michael Thomas (on alto or soprano) are ...
Continue ReadingMarshall Gilkes: LifeSongs
by Dan Bilawsky
A sojourn in the city of Cologne is akin to a homecoming for Marshall Gilkes. The lauded trombonist spent four memorable years in that cultural hub beside the Rhine, making his mark within the ranks of the WDR Big Band's brass section, and his departure in December of 2013 did nothing to dampen his love for the region and the tremendous fellow feeling binding him to his colleagues. Illustrating this point, one month later Gilkes returned for a proper farewell ...
Continue ReadingClarence Penn: Behind the Voice
by Dan Bilawsky
Drummer Clarence Penn, a serious force on the scene for more than three decades, has worked with a who's who of vocalists--Betty Carter, Kandace Springs, Luciana Souza, Kate McGarry, Nellie McKay, Claudia Acuña, Paula Cole, Melissa Walker and Nneena Freelon, to name just a few. He knows more than a thing or two about history and creativity behind the voice, and he's here to show it with this sharply-constructed date. Working with a stacked lineup of singers and instrumentalists, and ...
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