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Jazz Articles about Behn Gillece
Classic jazz from Shirley Scott and more, and birthday shoutouts to Behn Gillece and Maceo Parker among others
by David W. Daniels
Classic music per the headline, plus the Modern Jazz Quartet, Jimmy Smith, and Joe Williams with Ella Fitzgerald and more! Recently released music from Roy Hargrove, Joel Ross, Snarky Puppy and more. Birthday recognition per the headline, plus Sharel Cassity, Rufus Reid, Omar Hakim, and Eugene McDaniels (songwriter of “Compared To What").Playlist Alchemy Sound Project} “The Call" from <em> Further Explorations </em> (Alchemysoundproject) 00:00 </li> <li> {{m: Shirley Scott “Impressions" from Queen Talk: Live At The Left Bank ...
Continue ReadingDino Saluzzi, Behn Gillece, Ben Clifton, Aruán Ortiz, Karl Evangelista’s Apura
by Cheryl K.
During this week's two-hour program of jazz and improvised music, new music from bandoneonist Dino Saluzzi; vibraphonists Behn Gillece and Mike Freeman; vocalist Dara Starr Tucker; pianists Ben Clifton and Aruán Ortiz; and guitarist Karl Evangelista's Apura. Playlist Alice Coltrane “Rama Katha" from Kirtan: Turiya Sings (Impulse!) 11:42 Ashley Jackson “Radhye-Shyam" from Take Me to the Water (Decca) 5:38 Dino Saluzzi “Tiempos de Ausencias (Times of Absence)" from El Viejo Caminante (ECM) 4:26 Oscar Peterson “Soft Wind" from ...
Continue ReadingNew Music From Gillece, Thompson, Crotty And More
by Bob Osborne
On this show a selection of the best in brand new releases plus reissued material from Billy Harper, Cecil Taylor & Tony Oxley, and Ivo Perelman. To close two tracks from the legendary Ornette Coleman.Playlist Behn Gillece “Haymaker" from Pivot Point (Posi-tone Records) 00:00 Mike Thompson “May (feat. Mike Caudill, Mark Shilansky & Dan Rosenthal)" from 6th Avenue (Hexproof Records) 05:13 George Crotty Trio “Heart Music" from Heart Music (Self Released) 15:51 Alchemy Sound Project performs the music ...
Continue ReadingBehn Gillece: Pivot Point
by David A. Orthmann
Anyone who has listened to at least some of the Posi-Tone releases from the past several years will recognize the personnel on Pivot Point: vibraphonist Behn Gillece 's eighth date as a leader. Tenor/soprano saxophonist Willie Morris,, pianist Jon Davis, bassist Boris Kozlov and drummers Rudy Royston and Jason Tiemann have made substantial contributions to many of the label's projects situated in various points in the jazz mainstream. To put it bluntly, these guys are incapable of phoning it in. ...
Continue ReadingBehn Gillece: Pivot Point
by Carl Medsker
Posi-Tone will have released 253 albums in its post-bop contemporary mainstream jazz space with Pivot Point by Behn Gillece. Maintaining freshness and avoiding formula could become a creative challenge for any such productive label, but Gillece avoids that potential pitfall through well-written songs, crafty arrangements and excellent musicianship. The sequencing of songs is also thoughtful, varying in meter, style and emotion. Pivot Point is sufficiently complex and intelligent to warrant multiple listenings, but is simultaneously lots of fun.
Continue ReadingBehn Gillece, Charles Chen, Greg Murphy, Masha Campagne and more
by Benjamin Boddie
Today's Music--Right Now! Fantastic music by Behn Gillece, Charles Chen, Greg Murphy, Masha Campagne, Brad Turner, Saul Dautch, Greg Hopkins, Sandra-Mae Lux, Mike Prigodich, Mark Masters, Tyler Henderson, Dale Fielder, Robert Turner, Jeffrey Gimble, Sean Nelson, Diego Rivera, Bill Stewart, Deborah Silver, Carlos Mena, Brandon Woody, James Moody, Cyrus Chestnut, Kandace Springs, John Clayton, Sharel Cassity, and more. Playlist Behn Gillece “Stranded In Elizabeth 1644" from Pivot Point (Posi-Tone Records) 00:00 Charles Chen “Chang Fei, Fierce Warriors" from ...
Continue ReadingAltin Sencalar: Unleashed
by C. Andrew Hovan
Often overshadowed by other solo instruments, the trombone boasts a rich history in jazz--one so vast it could fill volumes. New Orleans, the birthplace of jazz, also gave rise to Kid Ory, a pioneer of the “tailgate" style of trombone playing. In the early 1900s, bandleaders often promoted their shows by parading through town on horse-drawn wagons. Trombonists, needing space to extend their instrument's slide, would sit at the back on the open tailgate, projecting their bold, brassy sound into ...
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