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Simon Côté-Lapointe
Born:
Simon Côté-Lapointe is a pianist, keyboardist, composer, improviser, videographer, and Ph.D. in information science with a specialization in archival science.
His professional career as a keyboardist and composer began with the contemporary music group Rouge Ciel around 1998. Between 2000 and 2003, during his studies in mixed composition at the Université de Montréal, he played and composed for several other projects such as Malarafe, the Virâj ensemble, and the Mouvement de Musique Présente, while also exploring electroacoustic music.
Between 2003 and 2009, Simon collaborated with a plethora of musicians, either as a composer, arranger, or performer. Notable collaborations include L’agence du swing by Claude Vendette, drummer Namori Cissé, and the rock band Madcaps. Between 2005 and 2010, he composed and produced four albums: “Conjuration” (electronic music), “Suite extatique” (contemporary music), “Artsuohtaraz” (for jazz quintet), and an eponymous double album (contemporary jazz and mixed music). From 2019 onwards, Simon has played and composed for several projects: Trio Lapointe-Hébert-Gagné (jazz), Taxon Lazare (organ trio), Chanteuse (jazz-post-funk), and Horizons (sax/piano duo, with Erik Hove). In 2020, he released three solo piano albums. A fourth improvisation album was released in 2023. In 2024, he completed Topochronies, a fresco of progressive music exploring Quebec’s collective subconscious through sound archives, created in collaboration with drummer Magella Cormier. In May 2025, during a four-week creative residency at the Centre d’expérimentation musicale (CEM) in Chicoutimi, he composed and realized Préhensions des strates de sédimentation historique saguenéennes, a mixed music performance for eight musicians and sequences with archives exploring Chicoutimi’s history through oral and historical archives. In January 2026, he launched an ambitious six-album solo piano cycle: three double albums titled Hapax (volumes 1 and 2), Ataraxie (volumes 1 and 2), and Animus/Anima (volumes 1 and 2), totaling nearly six hours of music ranging from medieval music to jazz, including baroque, classical, contemporary, and current repertoires.

