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Simon Hanes: Gargantua
by Mark Corroto
Two quotes come to mind in the wake of Simon Hanes' Gargantua. The first is from Perry Farrell of Jane's Addiction: “Camera got them images / Camera got them all / Nothing's shocking... “ The second, often attributed to William S. Burroughs: “Nothing is true, everything is permitted." Taken together, they suggest a world where boundaries ...
Liudas Mockūnas / Samuel Blaser / Marc Ducret: Twisted Summer
by Mark Corroto
All of modern jazz and improvised music owes a debt to Jimmy Giuffre (1921--2008). A quiet revolutionary, Giuffre helped reshape the language of jazz in ways that many musicians now take for granted. His solo recordings anticipated those of Anthony Braxton and Roscoe Mitchell, while his early experiments without a rhythm section, common practice today, were ...
Myra Melford - Satoko Fujii: Katarahi
by Mark Corroto
When four hands meet across 176 keys, is it even possible for pianists to check their egos at the stage door? Piano duets, by their very nature, often invite comparison--even confrontation. Consider the 1977 encounter between Mary Lou Williams and Cecil Taylor, the high-profile 1978 concerts by Herbie Hancock and Chick Corea, or Kris Davis and ...
Perelman / Ribot / Sharp / Morris: Trifecta
by Mark Corroto
With a discography approaching 200 releases, it might be tempting to imagine saxophonist Ivo Perelman as a kind of jazz gunfighter, in the lineage of Charlie Parker or Coleman Hawkins, stepping into one cutting contest after another. But that image misses the mark. Perelman's recordings are rarely about competition. Instead, they are grounded in creation, collaboration ...
Jason Stein / Damon Smith / Adam Shead: Five Nights in the Midwest
by Mark Corroto
Their tour did not pass through the Rattlesnake Speedway in the Utah desert. Still, the improvising trio of bass clarinetist Jason Stein, bassist Damon Smith, and drummer Adam Shead conjure a similar sense of a gathering force, like the superstorm evoked in Bruce Springsteen's 1978 song “The Promised Land." “There's a dark cloud rising from the ...
Civil Disobedience: Blue Note In The Progressive Sixties
by Mark Corroto
Bassist and educator David Ambrosio's quintet Civil Disobedience: Blue Note in the Progressive Sixties is both a tribute and a reclamation, a love letter to the music, the musicians and the social movements that shaped a turbulent era. The project was sparked by a student, which led Ambrosio to revisit a body of Blue Note recordings ...
Pete Mills: This Is Now
by Mark Corroto
Let us imagine asking a sociologist whether something like musical FOMO, fear of missing out, exists. Pete Mills makes a convincing case that it does with This Is Now. Even though we have the recorded evidence, there is a lingering sense that something special happened in the room, something listeners can hear but not fully share. ...
The Outskirts - Rempis/Flaten/Rosaly + Marta Warelis: Orbital
by Mark Corroto
The trio known as The Outskirts, comprised of saxophonist Dave Rempis, bassist Ingebrigt Håker Flaten and drummer Frank Rosaly, was formed during Flaten's three-year tenure in Chicago from 2005 to 2008. Since then, geography has scattered the group: Flaten moved on to Texas before returning to his native Norway, while Rosaly relocated to Amsterdam, where he ...
Albert Ayler Quintet: Copenhagen, Bordeaux 1966 & Newport 1967 Live First Release
by Mark Corroto
Heroin addicts often speak of chasing that first high for the rest of their lives. A similar impulse can be found among devoted listeners of Charlie Parker, the Grateful Dead and especially free jazz, perhaps most intensely among followers of saxophonist Albert Ayler. That initial encounter with Ayler's music, whether live or on record, can feel ...
Bobby Selvaggio: Red Rhinoceros
by Mark Corroto
Minutes after the final out at Progressive Field, the stadium loudspeakers blast the refrain, “Cleveland rocks, Cleveland rocks, Cleveland rocks," from the 1979 Ian Hunter anthem (You're Never Alone With a Schizophrenic, Chrysalis). Fans stream out into the night singing along, celebrating another victory by their beloved small-market ballclub. Like Cleveland's Guardians, saxophonist Bobby Selvaggio has ...
