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Art Tatum
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Art Tatum was born in Toledo, Ohio and despite being blind in one eye and only partially sighted in the other he became arguably the greatest jazz piano player who ever lived. He came from a musical family and when younger had some formal training at the Toledo School of Music, however he was largely self-taught. His teacher their recognized his talents and tried to steer him towards as a career as a classical concert pianist. Tatum was more interested in the music of Fats Waller, which would be a strong influence on his music. At 18 he was playing interludes at a local radio station and within a short period of time he had his own show
Ahmad Jamal: At The Jazz Showcase: Live In Chicago
by Dan McClenaghan
Ahmad Jamal (1930 -2023) began his recording career in 1951, laying down the tracks to the 1959-released album The Piano Scene of Ahmad Jamal (Epic Records). It was a trio affair, with Jamal at the keyboard, Ray Crawford on guitar, along with bassists (separately) Ray Calhoun and Israel Crosby. But before those earlier sessions saw the ...
The Top 25 Songs Featuring Clarinet
by Dean Nardi
As Ian Dury might have sung had he played the clarinet, “Hit me with your licorice stick." (That is “rhythm stick" for those not fluent in punk rock.) From the intricacies of classical music to the smooth swing of jazz to Klezmer--the folk music of the Eastern European Jewish population--the instrument resonates throughout a good portion ...
Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 1
by Victor L. Schermer
This two-part article was first published on All About Jazz on August 13, 2019. Part 1 | Part 2 Richie Beirach hovers somewhat mysteriously in the pantheon of the great modern jazz pianists. Some of the others in that category from his generation (coming up in the 1960s/'70s), like Herbie Hancock, Keith ...
Improvising the Classics: Chopin Jazz
by Larry Slater
The pianist Ted Rosenthal once commented, “Many jazz pianists began their musical education studying classical piano. Why let those years go to waste? The classical repertoire contains a goldmine of material for the jazz pianist."Frederic Chopin wrote almost exclusively for the piano, and his flexible sense of time appeals to jazz musicians. Art Tatum ...
Sal Mosca: For Lennie Tristano
by Jack Kenny
Sal Mosca was absorbed by the ideas of Lenne Tristano. The life force that is in the music of Tristano is not waning. The ascetic ideas and the edgy magnificence of the music continue to enthrall without press agents, advertising, PR consultants: just musicians who continue to be captivated by the purity of the music.
Carmen Staaf: Sounding Line
by Vic Albani
Carmen Staaf è una forza emergente della scena musicale di New York e, più in generale, del panorama jazz internazionale. Pianista originaria di Seattle--allieva di Danilo Perez--ha suonato e registrato con alcuni dei musicisti più influenti della nostra epoca. È stata ascoltata al Village Vanguard, al Blue Note, allo SFJAZZ e in numerosi festival di primo ...
A Jazz Reading List
by Karl Ackermann
From 2015 through 2020, a personal research project included my reading dozens of jazz books and related media. They included mainstays such as the massive reference The Penguin Guide to Jazz Recordings (Penguin Books, 2006), Ben Ratliff's excellent interview collection The Jazz Ear: Conversations Over Music (Times Books, 2008), the off-shore perspectives of Circular Breathing: The ...
Bill Evans Trio: Haunted Heart: The Legendary Riverside Studio Recordings (Remastered 2025)
by Mark Corroto
On May 6, 1954, Roger Bannister ran the first sub-four-minute mile, a barrier many believed human beings could never break. Today, any elite miler can run that time, which makes Bannister's accomplishment harder for modern sports fans to fully appreciate. Something similar happens when listening to pianist Bill Evans' two Riverside studio sessions, Portrait in Jazz ...
Art Blakey And His Jazz Messengers: Art Blakey And The Jazz Messengers Strasbourg 82
by Jack Kenny
This album captures a special concert and a pivotal moment in the history of Art Blakey and the Jazz Messengers. It documents the re--formation of the band following the departure of trumpet player Wynton Marsalisand saxophonist Branford Marsalis. The new recruits--trumpeter Terence Blanchard and alto saxophonist Donald Harrison--were eager to prove their abilities, injecting the band ...
