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Willie Jones III

Born in Los Angeles, California on June 8, 1968, Jones' earliest exposure to music was through his father, Willie Jones II, an accomplished and notable jazz pianist, who offered guidance and inspiration to his gifted son. Dedicated to the further development of his skills, the younger Jones spent the next few years working diligently with acclaimed drummers and music instructors and began performing with distinguished musicians by the time he was in his teens. He completed his academic training after receiving a full scholarship to the California Institute of the Arts where he studied under the tutelage of the legendary Albert "Tootie" Heath. Before he was a semifinalist in the 1992 Thelonious Monk Jazz Drum Competition, Jones co-founded jazz band Black Note. Influenced by the rich soulful energy of the West Coast bop movement, Black Note's hard-swing sound propelled them to first place in the prestigious John Coltrane Young Artist Competition in 1991. Jones contributed his skillfulness as both musician and producer on all four Black Note recordings: 43rd & Degnan and L.A. Underground (World Stage Records), Jungle Music (Columbia) and Nothin' But the Swing (Impulse!). By 1994, the band had toured Europe and across the U.S. and was the opening act for Wynton Marsalis.

Near the end of 1994, while Jones was reaching for a higher level of drumming dexterity, he gained the privilege of playing sideman to the renowned vibist Milt Jackson, where Jones learned the importance of pacing and sensitivity. Meanwhile, his musical career continued to unfold. From 1995 through 1998, he was a member of Arturo Sandoval's band and is featured on Sandoval's GRAMMY® award winning release Hot House (N2K). Subsequently, Jones recorded with Horace Silver on Jazz Has a Sense of Humor (Impulse!).

From 1998-2005, Jones was a member of Roy Hargrove's Quintet and is featured on Roy Hargrove's CD releases on Verve: Moment To Moment, Hard Groove, Nothing Serious and RH Factor's Distractions. Jones can be heard on a host of recordings including Kurt Elling's GRAMMY® nominated Night Moves (Concord) and Eric Reed's Here (Max Jazz). Jones has worked with Sonny Rollins, Ernestine Anderson, Bobby Hutcherson, Wynton Marsalis, Cedar Walton, Frank Wess, the Dizzy Gillespie All-Star Big Band, Houston Person, Billy Childs, Eric Reed, Ryan Kisor, Eric Alexander, Bill Charlap, Michael Brecker, Herbie Hancock and Hank Jones. In 2000, Jones' released his debut CD, Vol 1...Straight Swingin' on his own label, WJ3 Records. He continues to reveal his proficiency as a composer as well as a producer on Vol II...Don't Knock The Swing (2002); Volume III (2007); WE 2 (2008), a trombone and piano recording featuring Wycliffe Gordon and Eric Reed; and Jones' latest release The Next Phase (2010).

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9
Album Review

Roy Hargrove: Bern

Read "Bern" reviewed by Jack Kenny


Roy Hargrove was a unifying figure in jazz. He could move fluidly between straight-ahead bebop, hard bop, ballads, hip-hop, Afro-Cuban rhythms, and neo-soul without ever seeming to compromise his musical identity. This album, Bern, issued for the first time as a posthumous release, is a spectacular marker of a band playing at the highest level. A good band will always produce acceptable music; a great band will sometimes surpass even itself. One of the deepest pleasures in jazz ...

14
Album Review

Roy Hargrove: Bern

Read "Bern" reviewed by Pierre Giroux


The appearance of Bern, a previously unreleased recording from May 4, 2000, at the International Jazzfestival in Bern, Switzerland, is the kind of archival find that reminds listeners how electrifying Roy Hargrove could be live. Released by Time Traveler Recordings on LP for Record Store Day, with CD and digital download versions to follow later. This set captures the late trumpeter in a moment of confident maturity, blending respect for tradition with the restless creativity that defined his career.

8
Album Review

Susanne Alt: Dark Horse

Read "Dark Horse" reviewed by Neil Duggan


In 2024, saxophonist Susanne Alt released Royalty For Real (Venus Tunes); the album was a homage to her mentor, the late trumpeter Roy Hargrove. It featured bassist Gerald Cannon and drummer Willie Jones III. Their seven-year collaboration in Hargrove's band brought a tight, intuitive groove to the session, complemented further by keyboardist James Hurt. From that same session comes Dark Horse, which features seven Alt compositions plus a Charlie Parker cover.The album owes its origins to Alt arriving ...

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Album Review

Ken Peplowski: Live at Mezzrow

Read "Live at Mezzrow" reviewed by Jack Bowers


When one is diagnosed with multiple myeloma, as woodwind specialist Ken Peplowski was in June 2021, there are basically two alternatives: either accept the decision and throw in the towel or choose to fight and double down on doing what keeps you active and hopeful, in this case making beautiful music that swings. Obviously, as epitomized by the album Live at Mezzrow, Peplowski chose the latter path, and three years on has apparently won the battle, at least for now, ...

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Album Review

Ken Peplowski: Unheard Bird

Read "Unheard Bird" reviewed by Jack Bowers


Even when the recording (in this case, two) is a classic--as, for example, Charlie Parker's memorable Bird with Strings (Mercury Records, 1950)--some songs that deserve better are necessarily left on the cutting-room floor. Some may see that as disappointing, while others--like reed specialist Ken Peplowski--embrace it as an opportunity. On Unheard Bird, Peplowski--with strings and a core quartet--presents a series of fourteen generally likable themes, most of which were destined for Parker's album but were somehow passed over, and three ...

11
Live Review

Willie Jones III Sextet at Jazz Alley

Read "Willie Jones III Sextet at Jazz Alley" reviewed by Paul Rauch


Willie Jones III Sextet Jazz Alley jny:Seattle, WA April 30, 2024 Arriving early to a club performance can give one perspective on what is about to take place. On a Tuesday evening in Seattle, with but a few patrons in the club among the hustle-and-bustle of house staff preparing for the evening, the set-up on stage was a prologue of the story that was to be told over a two-hour set. In particular, the drum ...

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Album Review

Roberta Gambarini: Easy To Love

Read "Easy To Love" reviewed by Richard J Salvucci


In 2007, All About Jazz reviewer Michael Caratti wrote: “This debut outing from Roberta Gambarini sees the Italian-born jazz vocalist pair up with two star-studded rhythm sections and legendary tenor saxophonist James Moody, to present what has to be one of the best vocal jazz albums of the decade. Opening with Cole Porter's classic title track Gambarini's exquisite tone and masterful rhythmic phrasing are immediately on display in the first a capella section. The gradual addition of bass and brushes ...

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Music

Recordings: As Leader | As Sideperson

Dark Horse

Venus Tunes
2026

buy

Bern

Time Traveler Recordings
2026

buy

Unheard Bird

Arbors Records
2024

buy

Live at Mezzrow

Cellar Music Group
2024

buy

Let Go

Cellar Music Group
2022

buy

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