Nat Reeves

Nat Reeves

Musicians | Instrument: Bass | Location: Hartford

Updated: May 27, 2026

Born: May 27, 1955

For over four decades, Nat Reeves has been one of the top bassists in jazz. His supportive and stimulating playing has uplifted a countless number of sessions and recording dates (most notably with the great altoists Jackie McLean and Kenny Garrett) and he has led his own recordings State of Emergency, Blue Ridge and Now In Time. As a bassist, he is regarded as a precise accompanist, known for his impeccable time, deep tones and great earthy, organic sound.  As an educator, Nat mentors some of the future greats of jazz. Nat has made a major impact on the jazz world.

In addition to performing with Jackie McLean and Kenny Garrett, he has performed and recorded with many other great musicians: tenor-saxophonists Benny Golson and Pharoah Sanders, trumpeters Donald Byrd and Woody Shaw, drummer Art Taylor and pianists Hank Jones, Mulgrew Miller, Kenny Kirkland, Walter Davis, Walter Bishop, Larry Willis and Kenny Drew. In recent times, he has worked and recorded with many of the who’s who of jazz including saxophonists, George Coleman and Eric Alexander, trumpeters Eddie Henderson and Roy Hargrove, trombonist Steve Davis, pianists Harold Mabern, George Cables, David Hazeltine and Rick Germanson, and drummers, Jimmy Cobb, Art Taylor and Jeff “Tain” Watts, Joe Farnsworth, Louis Nash and Eric McPherson to name a few. Nat also performs with jazz rising stars, including saxophonist Sarah Hanahan and pianists Caelan Cardello and Jordan Williams.

Known for his strong, assertive tone, Nat Reeves’ bass playing is both melodic and supportive. His ability to anchor a band rhythmically while also contributing creatively in solos has made him a versatile performer. His style blends a deep respect for jazz tradition with a modern sensibility, often contributing to both the harmonic structure and the groove of a piece.

Nat Reeves has dedicated much of his life to music education, particularly in fostering the next generation of jazz musicians. As a professor at the University of Hartford’s The Hartt School now known as the Jackie McLean Institute of Jazz, he has mentored many students, helping them develop both technical skills and an understanding of the jazz idiom. His approach to teaching emphasizes the importance of listening, creativity, and understanding the historical context of jazz. Reeves has retired from the University of Hartford but remains active in mentoring and educating musicians.  Many of his former students have gone on to become successful professional musicians.

Outside of the formal classroom, Reeves is an active educator who has led numerous workshops and master classes around the world. These sessions cover a wide range of topics, from bass technique to improvisation, and are aimed at helping students of all levels understand the deeper aspects of jazz performance and theory.

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12
Album Review

Nat Reeves: Now In Time

Read "Now In Time" reviewed by Jack Bowers


As a gift for Nat Reeves' 70th birthday in May 2025, Ken Kitchings, owner of the Side Door Jazz Club in Old Lyme, Connecticut, said he would underwrite a recording for the renowned bassist using whatever musicians Reeves chose to recruit. Having played and recorded with a who's who of jazz luminaries during his 50-plus-year career, Reeves knew exactly where to go and who to contact. Tenor saxophonist Eric Alexander, a longtime colleague, was an obvious choice, as ...

39
Album Review

Ron Blake: Mistaken Identity

Read "Mistaken Identity" reviewed by Jack Bowers


Once hailed as a promising young lion, Puerto Rico-born saxophonist Ron Blake is more a crafty old fox these days, bringing his wealth of experience and undeniable talent to bear on Mistaken Identity, his first album as leader in fifteen years. To assure a broad comfort zone, Blake invited guitarist Bobby Broom, a longtime friend and music partner, to join him alongside drummer Kobie Watkins and bassists Nat Reeves (five numbers) and Reuben Rogers (four). Among the ...

7
Liner Notes

Anthony Wonsey: The Thang

Read "Anthony Wonsey: The Thang" reviewed by C. Andrew Hovan


Wisdom, it is often said, comes with age and experience. This axiom has special relevance for those who pursue excellence in the arts. Whether painters, dancers, or composers, the true creators have found that it takes time and patience to develop a singular voice. Youth seems to bring with it a desire to put technique at the fore, but those with more experience know that true originality starts when an artist utilizes his abilities to channel the spirit of the ...

4
Live Review

Jazz At The Joint: Nat Reeves

Read "Jazz At The Joint: Nat Reeves" reviewed by C. Michael Bailey


Nat Reeves Jazz At The Joint North Little Rock, AR April 11, 2021 The April 2022 edition of Ted Ludwig's “Jazz At The Joint" welcomed Hartford, Connecticut-centered bassist Nat Reeves to The Joint's stage in North Little Rock, Arkansas. Reeves has spent the last 40 years performing and recording with the likes of Jim Snidero, Harold Mabern, Steve Davis, Eric Alexander, Joe Farnsworth. These are just some of the contemporary guys with whom Reeves has ...

226
Album Review

Anthony Wonsey: The Thang

Read "The Thang" reviewed by Mark F. Turner


Anthony Wonsey's latest disc finds the pianist coming into his own creative voice. Wonsey has been at the center of some very notable works over the past few years, including recordings by trumpeter Nicholas Payton, songstress Carmen Lundy and others. The Thang, his fifth disc as a leader, continues in the straight-ahead format of his label, Sharp Nine Records. While others artists his age are dabbling in freer modes, make no mistake that Wonsey is a skilled artisan who plays ...

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Steve Davis
trombone
Kenny Garrett
saxophone
Sam Jones
bass, acoustic
Jackie McLean
saxophone, alto
Buster Williams
bass, acoustic

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