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Michael Barton
Michael’s career as a bassist began in the suburbs of Chicago, performing with college ensembles while still in high school, and frequenting clubs in the city before having a driver’s license. These early experiences led him to the University of North Texas, where he earned a Bachelor’s (1998) and Master’s Degree (2000) in Jazz Studies. There he learned the language of music, composition and arranging – and experimented with audio recording and production. After graduating, he continued working as a session player and sideman in Dallas.
In the college library, Michael had studied not only music but the images that surrounded it. Returning to Chicago in 2002, he began to expand his art beyond music, to visual creation and photography. In less than a decade, he progressed from receiving his first camera, to full-time photographer, to decorated Master of Photography. His work has seen publication in numerous international photography magazines, been displayed in galleries across the United States, and garnered a long list of awards and accolades. With his accomplishments as a photographer, he became an in-demand educator, teaching throughout the United States. In 2013, he became the youngest-ever recipient of a Fellowship from the American Society of Photographers. Following this achievement, Michael began seeking ways to reconnect his love of visual art with his obsession for music.
Later in 2013, he began building artisanal musical instruments – first electric basses, then guitars – both for his own work, and custom designed for other musicians. Returning to his career as a bassist, Michael found himself performing as a sideman at dozens of venues in the Chicago area, including Jazz Showcase, Andy’s Jazz Club, Green Mill, House of Blues, on tours across the Midwestern states, and on several albums. Eventually, Michael’s instrument workshop expanded to crafting snare drums and drum kits. To date, he has built more than 30 basses and guitars, and has added custom multi-effects pedals to the repertoire.
In 2020, while quarantined with COVID, the music and vision for his largest-scale album as bandleader began to form. He used this freedom to compose, perform, produce, and create a multi-sensory experience; a confluence of ideas stemming from his years of exploration. Released in November 2025, The Anxiety Suite includes an eight-song LP, a written narrative, a collection of photographs and prints, and handcrafted wood accessories. This album not only marks a convergence of Michael’s multifold artistic facets, but suggests these paths are expanding rather than narrowing.
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Shawn Maxwell: J Town Suite
by Jack Bowers
Saxophonist Shawn Maxwell is so fond of his hometown--Joliet, Illinois--that he has written the J Town Suite in its honor and dedicated an entire album to themes associated with his Joliet roots and upbringing. Problem is, those essays have meaning only to Maxwell--and perhaps a handful of others--so the album must be appraised musically, not thematically. Which is fine, as it is essentially a quartet date embracing contemporary straight-ahead jazz, not unlike many others that are produced ...
Continue ReadingShawn Maxwell: Story At Eleven
by Hrayr Attarian
On his 11th release, the aptly titled Story At Eleven, saxophonist and composer Shawn Maxwell leads his quartet through a four-part, cinematic suite. Utilizing electric instrumentation Maxwell endows the ambiance with a noirish undercurrent. The expansive pieces, thanks to Maxwell's writing, demonstrate ensemble cohesiveness without sacrificing the individual voices of the four musicians. Keyboardist Collin Clauson's hypnotic cascades and drummer Greg Essig's dark rustles open Appointment With" with delightful intrigue. Maxwell's muscular and serpentine alto then sets the ...
Continue ReadingShawn Maxwell: Expectation & Experience
by Jack Bowers
On Expectation & Experience, his tenth recording as a leader, Chicago-based woodwind specialist Shawn Maxwell is accompanied by almost thirty musiciansbut never by more than three on any of its seventeen tracks. Maxwell says the compositions were written during the global Covid-19 pandemic, and the musicians were mustered singly, most in their own homes. While each of the compositions has a theme," none is readily apparent from its performance, and listeners should feel free to overlook that aspect and focus ...
Continue ReadingThe world is a canvas … and Michael Barton can’t paint.
John Taylor
pianoRay Brown
bass, acousticBill Evans
pianoBill Frisell
guitar, electricDave Holland
bassPat Metheny
guitarClaus Ogerman
composer / conductorJohn Zorn
saxophone, altoPino Palladino
bass, electricMusic
Answer & Arrival
From: Story At ElevenBy Michael Barton




