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Marvin Sewell

Marvin Sewell was born and raised in Chicago. He learned how to play the guitar by hanging out with many Chicago basement bands. At that time, Marvin was exposed to a variety of styles of music such as: Blues, Gospel, and Soul. Rock, and Fusion. At the same time, he played in a Catholic church in a guitar band playing acoustic guitar. A few years later he became interested in Jazz. In high school, he started playing with the Malcolm X Community College Big Band. From there he started playing with many famous local Chicago musicians such as Von Freeman, Ramsey Lewis, Billy Branch, Jody Christian, Big Time Sarah, and Barbara La Shore, He attended Roosevelt University in Chicago where he studied Composition.

Marvin moved to New York in 1990. His very first tour in New York was with an Algerian Pop music band. Since in New York, Marvin has played with various bands of different styles of music, ranging from acoustic to electric music. In 1992, Marvin made his first major Jazz band when he began working with Jack Dejohnette’s Special Edition. At that same time, he was playing with Jazz cellist Diedre Murray and Jazz Bassist Fred Hopkins. The following year he recorded albums with Jack Dejohnette, Diedre Murray, and Gary Thomas. That same year he played in Hannibal Peterson’s composition African Portraits, an opera in which he played blues slide guitar in collaboration with the St. Louis Symphony, New Music Symphony, and the Westchester Symphony Orchestra. Marvin has performed and recorded with David Sandborn, Marcus Miller, Jorge Sylvester, Greg Osby, Joe Lovano, George Benson, Sekou Sanidiata, Peter Herborn, and a host of many other esteemed musicians.

In 1995, he began playing with Cassandra Wilson with whom he played a variety of string instruments for six years. On Cassandra Wilson’s CD, Traveling Miles, Marvin co wrote the song, Right Here, Right Now with Cassandra. Before leaving Cassandra Wilson, he was the music director of her band for a little over a year. In the summer of 2001, Marvin went on tour with Sekou Sandiata along with Ani Difranco. While out on tour, Marvin got a chance to share the stage with Ani Difranco.

In 2002, Marvin did a tour of eastern Africa with the Newsome, Sewell, and Harris Trio. The group performed in Kenya, Malawi, Botswana, Mozambique, Mauritius Today, Marvin spends most of his time writing music for his own band, The Marvin Sewell Group.

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1
Album Review

Jorge Sylvester Spontaneous Expressions: Mayhem At Large--The Last Baha'i Session

Read "Mayhem At Large--The Last Baha'i Session" reviewed by Jack Bowers


This two-disc set by saxophonist Jorge Sylvester's Spontaneous Expressions documents the last of the Tuesday evening jazz concerts at the jny: Baha'i Center on East 11th Street in jny: New York City. According to the jacket notes, the event was recorded live in March 2020. If that is so, Sylvester's listeners have earned top prize as the quietest audience in recorded history. Nary a sound. Either they were fast asleep or expressing an opinion. The discs themselves are...well, ...

6
Album Review

Ingrid Jensen: Landings

Read "Landings" reviewed by Pierre Giroux


On Landings, trumpeter Ingrid Jensen convenes a quartet that thrives on speed and alertness. With organist Gary Versace, guitarist Marvin Sewell, and drummer Jon Wikan, she leads a band capable of sharp turns and open-road lyricism in the same breath. The music feels meticulously shaped yet gloriously unbound; an ensemble language forged in deep listening and shared risk. The album starts with a historic moment as 89-year-old tenor legend George Coleman joins in for his own composition “Amsterdam ...

9
Album Review

Ingrid Jensen: Landings

Read "Landings" reviewed by Jack Kenny


Ingrid Jensen has emerged as a unique trumpet player with a distinctive sound that defines her and proclaims her nonpareil gifts. The album opens with “Handmaiden's Tale," a virtual duet with Gary Versace that clearly demonstrates the beauty of Jensen's tone. The track weaves together many strands of sheer beauty: warmth, lyricism, resonance and the roundness of the notes. It balances space and pace with a barely suppressed melancholy and soft dynamism. There is a fluidity here--refusal to ...

5
Album Review

La Tanya Hall: If Not Now, When...

Read "If Not Now, When..." reviewed by Pierre Giroux


With If Not Now, When... , La Tanya Hall emerges not just as a vocalist but as a storyteller, deeply connected to the quiet power of a well-chosen song. This is her most personal statement yet, an album crafted with intention rather than for show, where each track earns its place through lyrical depth and emotional impact. Hall avoids the obvious, assembling a selection of lesser-known material that invites the listener inward, asking for attention rather than applause. Supporting this ...

9
Album Review

Charles Lloyd: Figure In Blue

Read "Figure In Blue" reviewed by Jack Kenny


Jazz listeners with long memories will remember that Charles Lloyd was not always as revered as he is today. In the 1960s, his association with the “Summer of Love" and San Francisco's Haight-Ashbury scene led some to question his seriousness, seeing him as flirting with commercialism. Six decades on, that perception has aged away. Lloyd's work in 2025 is almost comparable to Beethoven's late quartets--music of depth, reflection, and spiritual weight. He has passed beyond being a national treasure; he ...

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Album Review

Christian Sands: Embracing Dawn

Read "Embracing Dawn" reviewed by Mike Jurkovic


Way back in the mottled history of the 1950s and '60s, record biz guys in sharkskin might kick down a DJ's door and bark: “You gotta to hear this single!" But who truly listens to and what exactly is a single these days? Add in the disturbing though elusive truth that any single can take any physical or temporal shape and the evidence just points to one thing: First impressions have doomed many a pundit. If ...

4
Album Review

Christian Sands: Christmas Stories

Read "Christmas Stories" reviewed by Dave Linn


Early on, Christian Sands had a passion for music. He was enrolled in music classes at age four and wrote his first composition at age five. He started playing professionally at the age of ten and studied at the Center for the Arts in New Haven, Connecticut before receiving his Bachelor of Arts and Masters degrees from the Manhattan School of Music. A protégé of Dr. Billy Taylor, Sands released his debut album at the age of 12 and came ...

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Music

Recordings: As Leader | As Sideperson

Landings

Newvelle Records
2026

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Figure In Blue

Blue Note Records
2025

buy

If Not Now, When...

Blue Canoe Records
2025

buy

Embracing Dawn

Mack Avenue Records
2024

buy

Blues Blood

Blue Note Records
2024

buy

Christmas Stories

Mack Avenue Records
2023

buy

Break The Chains

From: Break The Chains
By Marvin Sewell

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