Lawrence Brown

Duke Ellington: Copenhagen 1964

Read "Copenhagen 1964" reviewed by Jack Kenny

by Jack Kenny
March 3, 2026

All Duke Ellington concerts offered music of substance. Audiences listened patiently through the medleys and Tony Watkins' vocals. Some performances, however, stood apart because they contained material that was fresh--music not yet worn thin by repetition, where both the thinking and playing could still surprise. Ellington, Billy Strayhorn, and the orchestra toured Asia (the “Far East") in 1963. Rather than immediately writing new compositions, they deliberately allowed the impressions of the journey to settle, preferring that the process ...

Extended Analysis

Duke Ellington's Concert of Sacred Music

by Chuck Lenatti
June 1, 2025

In 1964, Dean D.J. Bartlett and the Reverend John S. Yaryan invited Duke Ellington and his orchestra to present a concert to consecrate the renovated Grace Cathedral on Nob Hill in San Francisco during a year-long festival of Grace. At first, Duke demurred. In his autobiography, Music Is My Mistress (Da Capo, 1976), Ellington explained why he changed his mind: It has been said once that a man who could not play the organ or any ...

Extended Analysis

The Duke Ellington Carnegie Hall Concerts: January 1943

by Chuck Lenatti
November 20, 2024

Duke Ellington was one of the most popular and successful jazz musicians of the first half of the 20th century and according to composer Gunther Schuller and musicologist and historian Barry Kernfeld, “the most significant composer of the genre." Radio broadcasts from his residency at New York's Cotton Club beginning in 1927 extended Ellington's orchestra's national exposure and a parade of hit records, from “East St. Louis Toodle-Oo" in 1926 to “C Jam Blues" in 1942, among many ...