Krystof Medyna

Krystof Medyna

Musicians | Instrument: Saxophone | Location: New York City

Medyna’s tremendous saxophone concepts, compositional focus, and playing style are undoubtedly influenced by Coltrane and his integration of the free-blowing sound streams is a perfect example of his ability to engage the listener with his energy level and upper registers of his horn...

—Sounds of Timeless Jazz

Updated: February 26, 2026

Born: April 18, 1949

KRYSTOF (Krzysztof) MEDYNA was born on April 18, 1949, in Jelenia Góra. He displayed musical talent from childhood. He grew up in a family with a long musical tradition. His grandfather, Aleksander Szwarc, was the conductor of the Representative Orchestra of the Polish Army. His mother studied piano at the Fryderyk Chopin Academy of Music but did not complete her studies due to the outbreak of war.

Krzysztof initially studied piano, then clarinet. He quickly became interested in jazz. Like most of his generation, he explored the mysteries of this music through Willis Conover's famous radio broadcasts, the Voice of America Jazz Hour. He learned his musical skills from a group of Szczecin jazz musicians.

From the late 1960s, he settled in Szczecin, where he studied music pedagogy at the then Teacher Training College. For three years, he taught music in elementary school. At the same time, he pursued a musical career. Krzysztof Medyna began his jazz career at the Szczecin University of Technology's Student Club "Kontrasty." He also played with the University of Technology's Mime Studio. In 1972, he participated in the Jazz Workshops in Chodzież, where he honed his saxophone skills under the supervision of Zbigniew Seifert. In 1973, as a member of the Quidam Jazz Quartet, he performed at the Jazz nad Odrą festival in Wrocław, where the quartet was one of the featured bands alongside the Kraków-based group Laboratorium. From 1975 to 1978, he played in Sweden.

After returning from Scandinavia in the autumn of 1978, he accompanied Italian singer Farida during her performances in Szczecin with the band Pat 78 (a group of Szczecin musicians who had previously played in Scandinavia or on cruise ships), a group formed for several months. That same year, he founded the band Breakwater with pianist Andrzej Winnicki. In March 1979, he performed with the quintet at the Jazz on Oder Festival, winning the main prize in the ensemble category and the main prize in the soloist category.

In the early 1980s, he performed with Breakwater in jazz clubs across Poland, including Warsaw's famous "Akwarium" (Aquarium), the Pomeranian Jazz Autumn (Pomorska Jesień Jazzowa), Jazz Neptun, Jazz Jamboree, and Zaduszki Jazzowe (All Souls' Day). In 1981, he performed at the premiere concert at the Polish Song Festival in Opole. With the group, he made numerous recordings for radio stations in Szczecin, Opole, Lublin, and Bydgoszcz.

In February 1979, he signed a contract with Jerzy Połomski, becoming the band leader accompanying the popular singer on tours in Poland, Czechoslovakia, the GDR, and the Soviet Union. In 1980, at the Jazz nad Odrą festival, he was invited by jazz pianist Sławomir Kulpowicz to collaborate with the Jazz nad Odrą All Stars (later In/Formation). He toured with this group until the end of 1981.

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19
Album Review

WM Project: From a Familiar Place

Read "From a Familiar Place" reviewed by Dan McClenaghan


The WM Project, led by saxophonist Krzysztof Medyna and pianist Andrzej Winnicki, doesn't sound much like the Komeda Project. Medyna and Winnicki have earned well-deserved acclaim for their work in that ensemble that explores the music of their countryman, Krzysztof Komeda. But here, instead of the Polish melancholy, haunting themes and brooding melodies, they take From A Familiar Place into the more American realm of straight ahead, at times even brash bebop with, always, big solid grooves. Two ...

672
Album Review

Komeda Project: Requiem

Read "Requiem" reviewed by Chris May


Despite the snowballing emergence of European jazz musicians on the world stage, relatively few European jazz composers have, in 2009, made it into the global repertory, which continues to be dominated by American voices. Perhaps it always will be, and perhaps local singularities--Italian or British or Scandinavian or whatever--are in any case better treasured, rather than absorbed into a single, universal body of work. But the fact remains that a cornucopia of great “foreign" compositions remains neglected in jazz's birth ...

1,330
Album Review

Komeda Project: Requiem

Read "Requiem" reviewed by Budd Kopman


With the magnificent Requiem, pianist Andrzej Winnicki and saxophonist Krzysztof Medyna solidify and enhance their reputations as the prime promoters of the essential music of the Polish pianist and composer Krzysztof Komeda (1931-1969). Komeda is widely recognized as the founder of modern Polish, and in a wider sense, European modern jazz. That he worked in Poland under Communist oppression is important. At its heart, jazz refuses to be pigeonholed, and it both allows and demands that its practitioners be utterly ...

1,088
Album Review

Komeda Project: Requiem

Read "Requiem" reviewed by Jakob Baekgaard


There's an awareness which is located deep within human nature that we're subject to both positive feelings as well as destructive impulses: Love and death, Eros and Thanatos, exist side by side. All great art is a mirror of the human condition and nobody understood better than the Polish composer and pianist Krzysztof Komeda that life as well as music is composed of light and darkness.

The dual nature of Komeda's music is captured perfectly in one of his masterpieces, ...

210
Album Review

Komeda Project: Crazy Girl

Read "Crazy Girl" reviewed by Michael P. Gladstone


This album is a rather unusual one, dedicated to 1960s Polish film scorer Krzysztof Komeda, who wrote music for films of the young Roman Polanski and Andraej Wajda. Some of the music on Crazy Girl was used for Polanski's, Rosemary's Baby (1968). Polanski used Komeda's music in almost all of his own films dating back to 1957's Two Men and a Wardrobe, and for the next decade, and credits Komeda with having composed the only major European soundtrack hit of ...

332
Album Review

Komeda Project: Crazy Girl

Read "Crazy Girl" reviewed by C. Michael Bailey


In a too brief but productive life, Krzysztof Komeda (1931-1969) composed in excess of forty film scores. These film scores include such Polish cinematic gems as Roman Polanski's Knife in the Water and Andrzej Wajda's Innocent Sorcerers. Komeda's first score for the screen was Polanski's first film, Two Men and a Wardrobe (1958). In the same way that Sam Peckenpaw used the same actors for his films, so Polanski would do with Komeda in almost all of his films from ...

212
Album Review

Komeda Project: Crazy Girl

Read "Crazy Girl" reviewed by Alain Londes


The Komeda Project jazz quintet originated with Breakwater, the jazz group founded by pianist Andrzej Winnicki and saxophonist Krzysztof Medyna. Rounding out the group with Canadian bassist Michael Bates, drummer Dave Anthony and trumpeter/flugelhornist Russ Johnson, The Komeda Project pays homage to the great Krzysztof Komeda (1931-1969), one of the founders of modern Polish jazz. Komeda reached international audiences through scoring a number of movies for Roman Polanski and Andrzej Wajda.

Over half of Crazy Girl's selections are Komeda-penned, largely ...

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Displaying a dexterity in style and execution, Krzysztof takes an extended solo with the rest of the band offering support. This is one heck of a sax player.

Lee Prosser, www.jazzreview.com

…affectingly throaty saxophonist Krzysztof Medyna ensures that none of the music’s emotional power is dissipated in their absorbing, respectful yet consistently lively and compelling quintet treatments of the most under-visited items in jazz canon.

The Vortex Jazz, London, UK

It is perhaps due mainly to Medyna's intense and powerful tenor solos that the music reminds us of John Coltrane, stylistically.

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Mercy, Mercy, Mercy feat. Jeremy Pelt

From: From a Familiar Place
By Krystof Medyna

Kattorna

From: Crazy Girl
By Krystof Medyna

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