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Joe Locke

Joe Locke is widely considered to be one of the major voices of his instrument. He has performed and recorded with a diverse range of notable musicians, including Grover Washington Jr, Kenny Barron, Eddie Henderson, Cecil Taylor, Dianne Reeves, Ron Carter, The Beastie Boys, the Münster Symphony Orchestra and the Lincoln, Nebraska Symphony.

Long known to be a soloist capable of stunning physical power and broad emotional range, it was not until the last decade that he emerged as the composer, bandleader and conceptualist that he is considered today. This is in no small part due to his solo projects of the last decade. “Four Walls of Freedom” (Sirocco), a 6 movement suite based on the writing of the monk Thomas Merton, which he composed as a vehicle for tenor saxophonist Bob Berg, garnered high praise from the critical community as a major work and won several international polls. “Live in Seattle” (Origin), by The Joe Locke / Geoffrey Keezer Group, won the 2006 EarShot award for “Concert of the Year”. This group is well loved and emulated by younger musicians looking for direction and inspiration. The overwhelming success of his recent quartet, “Force of Four” (Origin), can be attributed to the talents of his young cohorts and to the leader’s musical philosophy, which is to honor tradition while keeping both feet planted in the present and future. His 2011 album, the captivating, immersive album “VIA”, is the result of a reunion of Storms/Nocturnes, the transatlantic trio with Geoffrey Keezer and Tim Garland.

In 2011 Joe joined the Motéma label for four intrinsically different albums bearing witness of his immense stylistic versatility and ability to create artistic depth in a variety of contexts:

After Signing, the long-awaited follow-up studio album of Live In Seattle, 2012 also saw the release of Joe Locke’s first ever symphonic project, Wish Upon A Star, featuring Locke‘s Quartet with the Lincoln Symphony Orchestra (NE), and the Jazz radio charts #1 Blues & Ballads album Lay Down My Heart in 2013. In 2015 Locke released Love Is A Pendulum – a suite based on a poem by Barbara Sfraga – is already being hailed the most important work of his career.

Locke’s latest album, Subtle Disguise (Origin Records, 2018) represents “the total expression of who I am as a musician and human being.” and features Jim Ridl, Lorin Cohen and Samvel Sarkisyan as part of the core quartet, plus guests Raul Midón, David Binney, Adam Rogers and Alina Engibaryan.

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Album Review

Steve Wilson: Enduring Sonance

Read "Enduring Sonance" reviewed by Andrew Schinder


Virginia-born, New York-based alto saxophonist and multi-instrumentalist Steve Wilson has created a sonic palette overflowing with delightfulness with Enduring Sonance, Wilson's debut album. Wilson's trademark dulcet tones fill the record, which eschews any hint of difficulty or impenetrability in favor of pure pleasure and musical expertise. Enduring Sonance is calculatedly straight-ahead, an exercise in accessibility without sacrificing sophistication. Wilson is supported by a tight, powerhouse backing band. The brilliant pianist Renee Rosnes, who has a longstanding relationship with Wilson, is ...

3
Album Review

Joe Syrian: Secret Message

Read "Secret Message" reviewed by Richard J Salvucci


A title like Secret Message does make a listener wonder what it might be. Is it deeply subversive, like the Zimmerman Telegram, or apocalyptic, like Fatima? Of course, as someone is reputed to have said, 'Sometimes, a cigar is just a smoke.' So it is possible to over-interpret a title, which may, in the final analysis, simply be a title. Joe Syrian is a Detroit-based drummer, a city that can claim Brian Blade, J. C. Heard, ...

3
Album Review

Art Baden: How Much of It Is Real

Read "How Much of It Is Real" reviewed by Troy Dostert


Continuing its well-established mission of documenting some of the noteworthy Russian musicians in today's jazz, the Rainy Days label offers another up-and-comer, tenor saxophonist Art Baden. Joined by three seasoned veterans, Baden provides both fire and sensitivity on his debut disc, How Much of It Is Real--and it is a promising effort all-around. Bassist Jay Anderson, vibraphonist Joe Locke and drummer Jeff Tain Watts will need no introduction to serious followers of mainstream jazz, and they give Baden ...

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Album Review

Joe Syrian Motor City Jazz Octet: Secret Message

Read "Secret Message" reviewed by Jack Bowers


No fuss, no frills here, simply forty-seven or so minutes of generally bright and engaging straight-ahead jazz, stylishly performed by drummer Joe Syrian's admirable Detroit-based octet. This is music the group plays often, blending standards from the Great American Songbook with more recent themes by John Lennon and Paul McCartney, Stevie Wonder, Leon Russell and others. The congenial session opens with a pair of well-traveled standards--"Bye Bye Blackbird," and “Star Eyes"--and closes with two more- -"Night and ...

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Album Review

Gino Amato: Latin Crossroads

Read "Latin Crossroads" reviewed by Richard J Salvucci


The urge to take advantage of a successful commercial genre never really dies. Back in the 1960s, a studio orchestra nominally assembled by bandleader Glen Gray released a recording, Sounds of the Great Bands in Latin (Capitol, 1964). It took tunes like “Early Autumn" or “A String of Pearls" and added a “Latin" flavor with jazz enhancements. No doubt, this was an early recognition of the success of Cal Tjader. The vinyl may or may not have done well, but ...

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Album Review

Bevan Manson featuring Tierney Sutton with The Hollywood Studio Orchestra: Talking to Trees

Read "Talking to Trees" reviewed by Nicholas F. Mondello


Bevan Manson is an artist who has a creative duality. As a pianist, composer/arranger and educator, he's been successful in classical and jazz environments. With Talking to Trees, Manson provides an array of both originals and jazz standards, most with an arboreal tint, as the title indicates. The work is a validation that his pen, guiding the talents of vocalist Tierney Sutton and L.A.'s premium players, can make the familiar fascinating and the novel intriguing. Miles Davis' ...

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Album Review

Darden Purcell: Love's Got Me in a Lazy Mood

Read "Love's Got Me in a Lazy Mood" reviewed by Geannine Reid


Darden Purcell's album Love's Got Me In A Lazy Mood (OA2 Records, 2023) shows her keen ear for the subtleties and nuances which define the West Coast cool jazz vocal sound. Purcell's album comprises eleven tracks which blend the laid-back, sophisticated rhythms and melodic inventiveness that characterize the style with beautiful singing and nimble playing. Purcell is joined by an ensemble of musicians whose contributions are pivotal to the album's charm and success. On six tracks the ensemble ...

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Performance / Tour

10 Free Jazz Concerts In Newark Thanks To New Jersey Performing Arts Center, February-May 2026

10 Free Jazz Concerts In Newark Thanks To New Jersey Performing Arts Center, February-May 2026

Source: AMT Public Relations