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Jeremy Manasia
Jeremy has toured the world with his music, and currently lives and teaches in New York City, where he has resided since 1997. Jeremy was a finalist in the Thelonious Monk Competition, the Great American Jazz Piano Competition, and the American Pianists Association Jazz Piano Competition.
Jeremy has performed with The Charles Owens Quartet, The Hotpants Funk Sextet, The David Gibson Quartet/Sextet, The Peter Bernstein Quartet, The Ryan Kisor Quintet with Chris Potter, The Joe Magnarelli Quartet, Nneena Freelon, Marlena Shaw, Diane Schur, Jimmy Cobb, John Boutte, the Glenn Miller Orchestra, the American Symphony Orchestra, Wayne Escoffrey, Rodney Green, Greg Hutchinson, and has recorded with Charles Owens, David Gibson, The Hotpants, Steve Santoro, Alex Graham, The Sickle Project, John Boutte, Five Up High and Melissa Morgan.
Jeremy's debut CD, "Witchery", was released in August 2007 by Canadian based CELLAR LIVE records and is available in stores and on the web. January 2009 will see the release of Jeremy's second CD as a leader, this time for Los Angeles based record label POSI-TONE records. The release entitled "After Dark" will showcase Jeremy's compositions backed by the wonderful Barak Mori and Charles Ruggiero, and with special guest appearances by Jane Monheit and Ian Hendrickson-Smith.
Jeremy is an aspiring film composer and has scored several short films.
Awards
finalist 1999 Thelonious Monk Piano Competition Runner up 1999 Jacksonville Great American Jazz Piano Competition finalist in the 1998 and 2001 American Pianists Association Jazz Piano Competition
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Javon Jackson: Jackson Plays Dylan
by Jack Bowers
On Jackson Plays Dylan, tenor saxophonist Javon Jackson, an admirer of Bob Dylan, aims his jazz arsenal toward the iconic singer and songwriter in hopes of reworking Dylan's folk/pop music into a framework that jazz enthusiasts might consider creative and pleasing. So how does that play? For the most part, rather tediously, which is surely not what Jackson's quartet had in mind. As it turns out, Dylan's themes sans lyrics do not lend themselves readily to the jazz ...
Continue ReadingJavon Jackson: Jackson Plays Dylan
by Katchie Cartwright
Bob Dylan without the lyric? Javon Jackson's Jackson Plays Dylan makes a strong case. With two exquisite exceptions, the arrangements are purely instrumental, but Jackson manages to draw us in past the words (he knows we can hear most of them in our heads) to the emotional heart of each piece. More than that, he turns the program into a sort of film score. Each song (scene) dissolves into the next via a snippet of its intro. Starting ...
Continue ReadingJoe Magnarelli: Decidedly so
by David A. Orthmann
The front-line alliance of trumpeter Joe Magnarelli and trombonist Steve Davis is one of the distinguishing features of Decidedly So, Magnarelli's 2026 release in an impressive string of releases as a leader. Magnarelli and Davis interact in ways that reflect decades of experience in playing modern, straight-ahead jazz. The two brass instruments work together and respond to one another during eight tracks that include Latin-tinged hard bop, moderate and up-tempo swingers, a couple of ballads, and a brisk blues. Their ...
Continue ReadingJavon Jackson: Jackson Plays Dylan
by Pierre Giroux
With Jackson Plays Dylan, tenor saxophonist Javon Jackson delves into one of the great sources of modern song, the work of Bob Dylan. He treats it with reverence, imagination, and a strong respect for jazz tradition. This is not a clever concept album but a heartfelt musician's dialogue with timeless material, influenced by tradition and deep musical listening. Jackson is joined on this release by pianist and keyboardist Jeremy Manasia, bassist Isaac Levien, drummer Ryan Sands, and Grammy-winning guest vocalists ...
Continue ReadingJoe Magnarelli: Decidedly so
by Jack Bowers
Trumpeter Joe Magnarelli has been a bright light on the New York-area jazz scene for four decades, since arriving in the city in 1986 from his native jny: Syracuse, NY. On Decidedly So, his eighteenth recording and third for Cellar Music, Magnarelli ushers a top-drawer quintet through its paces in a pleasing session that encompasses a trio of standards and five original compositions, including four of his own. The only fresh theme not written by Magnarelli is the ...
Continue ReadingJoe Magnarelli: Decidedly so
by Pierre Giroux
Joe Magnarelli's Decidedly So strongly reaffirms the enduring virtues of straight-ahead jazz, recorded at Rudy Van Gelder's Studio in Englewood Cliffs, NJ, where these qualities have long been valued. Brought to life in March 2025 before a small but attentive audience, the session benefits from a rare blend of relaxed confidence and deliberate swing that can only come from musicians who know exactly who they are and what they cherish. Joined by trombonist Steve Davis and a top-tier rhythm section ...
Continue ReadingJavon Jackson & Nikki Giovanni: Javon & Nikki go to the movies
by Pierre Giroux
Javon & Nikki go to the movies is a charming and soulful collaboration that brings together the poetic eloquence of Nikki Giovanni and the masterful tenor saxophone stylings of Javon Jackson. The album is a delightful journey through some of the standards of the Great American Songbook, featuring songs famously associated with classic Hollywood movies. The repertoire also draws from a broader range of sources, including three Jackson originals and one from the pen of Sonny Rollins. Jackson is accompanied ...
Continue ReadingEric S. Reed
"...we agree that is serious jazz coming from Manasia's trio. Jerry really swings on piano on "You Do Something To Me" and even with more of a swagger on "Witchery". These are young players coming together having played with more notable talent and now saying something on their own. Jeremy has four originals here as well and we're convinced that what he is saying is worth listening to!"
Primary Instrument
Piano
Willing to teach
Intermediate to advanced
Credentials/Background
Faculty at Manhattan School of Music teach combos, big band, improvisation, piano for non piano majors,piano $75/hour
Clinic/Workshop Information
The art of rhythm section playing. The distinct roles of each rhythm section instrument, and the finer points and details on playing successfully behind soloists and each other.
Photos
Music
Never Let Me Go
From: With Peter BradleyBy Jeremy Manasia
Wade in the Water
From: The Gospel According to Nikki...By Jeremy Manasia





