Home » Jazz Musicians » Francisco Mela
Francisco Mela
Francisco Mela is a favorite amongst jazz's elite instrumentalists, among them, Joe Lovano, John Scofield, JoAnne Brackeen, Kenny Barron, Gary Bartz, Bobby Watson and McCoy Tyner, all of whom cite his charisma, sophistication, and life-affirming spirit as an extension of his incredible talents as a composer and drummer.
Francisco Mela was born in 1968 in Bayamo, Cuba. He moved to Boston in 2000 to pursue a degree at the acclaimed Berklee College of Music and, quickly thereafter, the faculty recognized that Mela had much to offer students and promptly hired him to teach at the school. Mela rapidly made a name for himself on the Boston scene, becoming the house drummer at the legendary Wally’s Café Jazz Club. It was at Wally’s that Mela began developing a concept for his own band, one that would feature the sounds of modern jazz with the traditional music he grew up with in Cuba.
Fellow Berklee faculty member and world-renown saxophonist, Joe Lovano, heard Mela and was immediately impressed, hiring him shortly after to play in his quartet. Since 2005, Mela has been an integral part of Joe Lovano’s quartet and his new group, “Us Five,” a two-drummer quintet. Their 2009 Blue Note Records recording, titled Folk Art, was considered by many critics to be Lovano’s most adventurous to date. In 2009, he was tapped by jazz legend McCoy Tyner to join his trio. Said Tyner of his new young drummer, “Mela is just a fantastic player. He has his own style and his own sound, which is what I look for in a drummer.”
Mela’s first CD, Melao was released in 2006 and called one of the best albums of the year by All About Jazz. Similarly, The Village Voice picked Melao as the best debut by an artist of ‘06.
Mela’s second release as a leader, Cirio, was recorded over a week-long period at the Blue Note for Half Note Records in 2008. The recording featured an all-star cast of Mark Turner, Jason Moran, Larry Grenadier and Lionel Loueke. Blog critics wrote “this is modern jazz of high order, but with Mela's own touch of Havana added...” affirming Mela’s unique niche in the melting pot that is now New York’s “jazz scene.” WDUQ picked the album as one of the best jazz CDs of 2008.
Mela’s third recording, Cuban Safari, is an amalgamation of his favorite bands that inspired him to become a drummer – Miles Davis’ fusion group featuring Chick Corea and Keith Jarrett, Weather Report, and the Latin-jazz super group Irakere.
Read moreTags
Matthieu Mazué: Turn of Events
by Mike Jurkovic
In layman's terms, Turn of Events, French pianist Matthieu Mazué's 577 Records trio debut with fellow arsonists--Francisco Mela and trumpeter Diego Hedez--is a head rush. An old-fashioned, split-minute, play-by-play head rush that gives you a bit of vertigo at first. Which is really very cool and okay, because in this flood-the-zone environment, a bit of vertigo just might reveal an escape route: an off-ramp from the malaise of monotony we inhabit to an on-ramp of festival and wonder.
Continue ReadingNduduzo Makhathini: uNomkhubulwane
by Mike Jurkovic
Abundantly, beatifically, and beautifully ebullient, uNomkhubulwane, Nduduzo Makhathini's eleventh overall effort but third masterwork for Blue Note (his 2020 Blue Note first, Modes of Communication: Letters From the Underworlds and 2022's In the Spirit of Ntu still shimmer and transcend) is, as is the South African pianist's quickly evolving tradition, radiant and revelatory. Emerging from a mother song gifted to Makhathini during his initiation process to become a healer, (the pianist was immersed in water in order to encounter the Zulu ...
Continue ReadingFrancisco Mela & Zoh Amba: Causa y Efecto, Vol. 2
by Mike Jurkovic
Causa y Efecto, Vol. 2 avalanches into a tidal surge of Francisco Mela's terrestrial rhythms and saxophonist/flautist Zoh Amba's unhinged, Albert Ayler like howls. Explosive from the onset and unencumbered by composition, Causa y Efecto" roils without contrition; setting the stage for the firestorm to come. Mela's incantations--both verbal and percussive--open the magic door through which Zoh's pixie-ish, folk-dance darts and shadows. Born of native songs from Mela's Cuba and Amba's old Tennessee home, Mundos Diversos" is a complete ...
Continue ReadingStephen Gauci / Francisco Mela / William Parker / Matthew Shipp: Live at Scholes Street Studio
by John Sharpe
Tenor saxophonist Stephen Gauci provokes blistering unfettered performances from the starry cast on another installment of Live At Scholes Street Studio. Gauci embodies a fierce DIY ethos which manifests in producing multiple concert series in NYC as well as releasing consequent material on his own label and posting video documentation on his website. On this occasion, he is joined by three storied veterans of the avant-jazz scene in pianist Matthew Shipp, bassist William Parker and drummer Francisco Mela who bring ...
Continue ReadingFrancisco Mela: Music Frees Our Souls Vol. 2
by John Sharpe
The three protagonists gaze out from the cover, variously smiling, appearing wryly amused, and looking stern. The image suggests a will to tackle things head on, without artifice or adornment. To tell it like it is. And that is the result: a thrilling no-nonsense representation of the combined artistry of drummer Francisco Mela, pianist Cooper-Moore and bassist William Parker. Though billed as Volume 2 of Music Frees Our Souls it isn't more from the same session. In ...
Continue ReadingFrank Carlberg Trio: Reflections 1952
by Mark Corroto
How does one approach a Thelonious Monk tribute recording? Does the pianist sound like Monk? Truthfully, it is rare for a musician to replicate the high priest of bebop's distinctive and eccentric sound. Walter Davis Jr. could, but most other attempts are easily exposed as forgeries. The finest tributes are the ones that originate with the musician's language, like the South American sounds of Danilo Perez' Panamonk (Impulse!, 1996), Steve Lacy's soprano saxophone interpretations or guitarist Miles Okazaki's covers. Add ...
Continue ReadingElan Mehler: There Is A Dance
by Patrick Burnette
David Bowie's album The Rise And Fall of Ziggy Stardust And The Spiders From Mars (RCA, 1972) includes instructions on the back: To Be Played At Maximum Volume." Had pianist Elan Mehler's new trio effort, There is a Dance, followed suit, the slogan would be something like To Be Played Only on Rainy Afternoons." There is a Dance, which celebrates memories of Mehler's mother, is a quiet, meditative album, one more drawn to rubato than momentum. There are moments of ...
Continue ReadingCuban Drummer Francisco Mela Returns To New York's Cornelia Street Café To Lead The Crash + One
Source:
ARE GROUP
Cuban drummer Francisco Mela (Joe Lovano, McCoy Tyner, Chucho Vald&eacut
