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David Caballero
Arvind Ramdas: Here We Go
by Glenn Astarita
Arvind Ramdas emerges as a fresh voice in the jazz drumming world, hailing originally from India before planting roots in Vancouver, Canada. With his debut album, Here We Go, Ramdas pays homage to the bebop pioneers who shaped his musical DNA. This collection serves as both a personal milestone and a nod to the Black American jazz tradition, blending respect for the masters with the vitality of a young artist finding his groove. The album leans ...
Continue ReadingVancouver Jazz Orchestra: Vancouver Jazz Orchestra Meets Brian Charette
by Pierre Giroux
The Vancouver Jazz Orchestra's debut album arrives with a sense of purpose that feels both timely and reassuringly traditional. Formed to showcase the city's rich pool of jazz musicians while creating a platform for composers and arrangers, the VJO proves itself not through rhetoric but through sound. This release features a confident, well-rehearsed ensemble playing music almost exclusively by Vancouver writers, united here by the invigorating presence of Hammond B3 master Brian Charette. Steve Kaldestad's “Equestrian Interlude" opens ...
Continue ReadingVancouver Jazz Orchestra: Meets Brian Charette
by Jack Bowers
Through the years, Canada has produced an impressive number of world-renowned big bands including Rob McConnell's peerless Boss Brass, the Toronto and Winnipeg Jazz Orchestras, those led by trombonist Dave McMurdo, pianist Jill Townsend and trumpeter Steve McDade, and one of the world's foremost undergraduate bands, Montreal's McGill University Jazz Ensemble. On its debut recording, Meets Brian Charette, the Vancouver Jazz Orchestra proves beyond any doubt that it deserves inclusion in that special fraternity. Simply put, the VJO ...
Continue ReadingAtley King: Unconditional
by Jack Bowers
Unconditional is the debut recording as leader by Atley King who is described in a press release as “Canada's leading young jazz vibraphonist." While that portrayal may or may not be true--not to mention gratuitous--King is very good, as are the members of his admirable quintet. Besides playing splendidly, King wrote the first eight of the album's nine selections, closing with John Coltrane's soulful “Naima." His compositions are fine, albeit more or less generic--that is to say, ...
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