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Champian Fulton

Born in Oklahoma, Champian is considered one of the most gifted pure Jazz musicians of her generation. She grew up with music in the home; her mother and father (Jazz trumpeter and educator Stephen Fulton) recognized her fascination with music at an early age. The presence of her father’s musician friends, including Clark Terry and Major Holley, inspired her focus on Jazz. Her first paid musical engagement was with her own band at Clark Terry’s 75th Birthday Party; she was 10 years old. Since then, her piano and voice skills have been recognized by peers and critics as distinctive and sophisticated. This young woman from Oklahoma captivates audiences in New York’s finest Jazz rooms and in concert halls around the world.

A mainstay on the vibrant New York Jazz scene, she has performed with musical royalty such as Lou Donaldson, Frank Wess, Scott Hamilton, Buster Williams, and Louis Hayes. From New York to Barcelona, Champian’s swinging style and charismatic performances have made her a guardian of the legacy of Jazz. Champian’s heroes include Bud Powell, Red Garland, Erroll Garner, Count Basie, Sarah Vaughan, and Dinah Washington.

Jazz education is a concern near and dear to Champian’s heart, having been inspired by Clark Terry’s tireless advocacy for the perpetuation of the craft. Clark coached her on rehearsal techniques, performance etiquette, private teaching, and the business of the Jazz. Champian strives to impart this unique knowledge to students around the world, while being involved in educational programs such as Litchfield Jazz Camp and Rutgers Jazz Institute. Her skills as an educator in Jazz come from the highest authorities as she works to perpetuate the Jazz language.

Champian is ambitious about recording her music. As a leader she has fourteen recordings to her credit. Her debut album, “Champian with David Berger & the Sultans of Swing” (2007 Such Sweet Thunder Records) was recorded following a two-year residency at the famed New York Jazz Club Birdland. Her releases “Sometimes I’m Happy” (2008 Venus Records) and “the breeze and I” (2010 Gut String Records) featured her working trio. Champian’s following two releases, “Champian Sings and Swings” (2013 Sharp Nine) and “Change Partners” (2014 Cellar Live) were both recognized as being “in the top 10 releases of the year” for their respective years by the NY Observer.  Champian’s album, “After Dark” (2016) with Jazz luminaries David Williams on bass, Lewis Nash on drums, and Stephen Fulton on flugelhorn, features the music of Dinah Washington. In 2017, she published no less than three albums: a strictly instrumental album ("Speechless" - Posi-Tone), a wonderful recording with Scott Hamilton ("The Things We Did Last Summer" - Blau Records) and "Christmas with Champian" (Champian Records). Her 10th album, “The Stylings of Champian,” released in 2018 is a two disc set which was named one of the Top 5 Jazz Releases of the Year by NYC Jazz Record. 2019 saw the release of an intimate live duo recording, “Dream a Little…” with Jazz altoist Cory Weeds. Champian’s 2020 release “Birdsong” celebrating the music of Charlie Parker features Scott Hamilton. Called “buoyant” by the New York Times, “Birdsong” was featured as Album of the Week by WRTI Philadelphia, JazzFM UK, and TSF Jazz Paris. In 2021 Champian will release two albums: “Live from Lockdown” a special duo album with Stephen Fulton and “I’ll See You in My Dreams” on the Japanese label Venus, featuring her Scandinavian trio. 

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3
Album Review

Champian Fulton: House Party

Read "House Party" reviewed by Pierre Giroux


There are evenings when jazz truly finds its footing: social, spontaneous, and unguarded. House Party was recorded live in March 2025 at a producer's home for Turtle Bay Records, capturing one such moment. Pianist-vocalist Champian Fulton, joined by bassist Hide Tanaka and drummer Fukushi Tainaka, along with guest saxophonists Klas Lindquist and Cory Weeds, dispense with polish-for-polish's-sake and instead offer something more meaningful: the sound of musicians trusting each other without prior rehearsal. The opening trio performance of ...

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Album Review

Various Artists: Swinging In The Holidays

Read "Swinging In The Holidays" reviewed by Jim Trageser


With a warm, wood-paneled vintage glow, a new Christmas collection inhabits the space formerly reserved for top-flight crooners like Nat King Cole, Frank Sinatra and Tony Bennett: blending pop and jazz into comfort food for your ears. While few of the “next-gen" (as the album's publicity tag puts it) performers here will be known to those unfamiliar with the contemporary New York City scene, their chops are undeniable and the arrangements flattering to the performers' strengths.

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Album Review

Champian Fulton: At Home

Read "At Home" reviewed by Richard J Salvucci


Champian Fulton is just fun to hear, no question. There are so many singers and, Heaven knows, even more pianists, so finding one who never really disappoints is no small feat, especially after nearly 20 recordings. Paired here with Stockholm-based reed player Klas Lindquist, Fulton sings and plays her way through various 'songbook' material that bubbles with enthusiasm, not to say chops. Fulton has a kind of coy relation to the beat--sometimes right there, sometimes not, but that makes her ...

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Album Review

Champian Fulton: Flying High - Big Band Canaries Who Soared

Read "Flying High - Big Band Canaries Who Soared" reviewed by Richard J Salvucci


If memory serves, Woody Herman was once quoted as saying “it's tough to be a canary," or words to that effect. “Canary" of course, was just one of the many euphemisms used for female big band singers in the 1930s and 1940s. Herman's pointed observation was spot on. He thought, correctly, that most female singers were being evaluated--by male critics, of course--on their physical attributes primarily, not on their vocal prowess. This is no place to go into detail, but ...

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Album Review

Champian Fulton: Meet Me at Birdland

Read "Meet Me at Birdland" reviewed by Edward Blanco


The young and talented pianist Champian Fulton presents another enchanting album recorded live at New York's Birdland dinner jazz club simply titled Meet Me at Birdland, celebrating twenty years of performing in the Big Apple; playing the piano and lending her sultry vocals to a host of uncommon standards. Since arriving in New York in 2003, playing at Birdland has become a regular feature for the pianist, a musical home away from home. Fulton employs a world-class trio that has ...

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Radio & Podcasts

Slide Hampton, Joe Pass, Woody Hermon & Champian Fulton

Read "Slide Hampton, Joe Pass, Woody Hermon & Champian Fulton" reviewed by Joe Dimino


From the always evolving pianist Champian Fulton, we begin the 807th Episode of Neon Jazz with a celebration of live music off her 2023 album Meet Me at Birdland. We follow that up with the legendary pianist Erroll Garner doing his rendition of “Lullaby of Birdland." From there, we dig into some vocal jazz with new music in Lauren Henderson, Roberta Donnay and Janice Borla. In between, we hear classic cuts from Slide Hampton, George Gershwin and Joe Pass. The ...

5
Album Review

Champian Fulton: Birdsong

Read "Birdsong" reviewed by Dan McClenaghan


Champian Fulton was introduced to alto saxophonist Charlie Parker during her stay in the womb. The New York-based pianist/vocalist's father, Stephen Fulton held a high opinion ("The most beautiful music that ever was") of Charlie Parker With Strings (Verve, 1950), so he made a cassette tape of the recording and played it during his wife Susan's pregnancy: The sound waves of Charlie Parker and Orchestra traversing maternal flesh to burst into the domain of amniotic fluid to find their way ...

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