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Caroline Davis

Mobile since her birth in Singapore, composer and saxophonist Caroline Davis’s music covers a wide range of styles, owed to her shifting environment as a child. As a leader, she has released six albums: Live Work & Play (2012), Doors: Chicago Storylines (2015), Heart Tonic (2018), Alula (2019), Anthems (2019), and Portals (2021). She won Downbeat’s Critic’s Poll Rising Star Alto- Saxophonist (2018) and was listed in both Downbeat’s Readers Poll (2021) and JazzTimes Expanded Critics Poll (2021). Her work has garnered much praise from NPR, The New York Times, The Wire, DownBeat, JazzTimes, and many international publications. Davis is active as both a side-person and a leader in a diverse set of music communities (jazz, improvised music, modern classical, R&B, folk). Davis has worked with Lee Konitz, Angelica Sanchez, The Femme Jam, Matt Mitchell, Terry Riley, Miles Okazaki, Thana Alexa, and Billy Kaye, to name a few. Her collaborations include My Tree (with Ben Hoffmann) and Persona (with Rob Clearfield). Awards and recognitions over the years have included Caroline in various mentorship communities: Sisters in Jazz (2006), Betty Carter Jazz Ahead (2011), and the Mutual Mentorship Initiative (2020). Davis was the recipient of CMA's Performance Plus Grant (2021), NYFA's City Artist Corps Grant (2021), Jerome Hill Artist Fellowship (2019-2020); and she has participated in several residency programs, including fellow-in-residence at The Jazz Gallery (2022) and composer-in-residence at MacDowell (2019). Her compositional practice integrates music with the cognitive sciences, anatomical structures, and the brain, influenced by her Ph.D in Music Cognition. Davis is an advocate for social justice in the realm of gender (developed in a co-taught Jazz & Gender course at The New School) as well as in the abolitionist movement (Justice for Keith Lamar).

Awards

Sisters in Jazz (2006) Downbeat Outstanding Soloist (2007) Betty Carter Jazz Ahead Program (2011) DownBeat Critic's Poll #1 Rising Star Alto-Saxophonist (2018) MacDowell Fellow (2019) Jerome Foundation Fellow (2019-2020) NYFA Fellow (2021) Jazz Gallery Fellow (2022)


Tags

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Radio & Podcasts

Caroline Davis: The Saxophone Reimagined In The Fallows

Read "Caroline Davis: The Saxophone Reimagined In The Fallows" reviewed by Lawrence Peryer


Today, The Tonearm's needle lands on saxophonist and composer Caroline Davis. Caroline made her album Fallows (Ropeadope, 2026) alone during a residency in Ucross, Wyoming, improvising and recording in a cabin, using prepared saxophone techniques and a unique instrument called an organelle to process and build sounds she'd never put to tape before. The result is twelve tracks that use the saxophone as raw material rather than a lead voice. We talk about how that music ...

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Album Review

Caroline Davis: Fallows

Read "Fallows" reviewed by Katchie Cartwright


Fallows, the singular saxophonist Caroline Davis' debut release as a one-woman band (sax and electronics), was written and recorded on a 20,000-acre ranch in the high plains of Wyoming, the fruit of a month-long artist residency at the Ucross Foundation. Davis, who is jny: Brooklyn-based at present, had gotten into working with electronics in 2006 while living in Chicago, completing her doctorate in cognitive psychology and gigging with Zing! (Magnetic Flux, 2007; High Mayhemic, 2014; both on ears&eyes Records). The ...

1
Radio & Podcasts

Caroline Davis: The Un-Becoming

Read "Caroline Davis: The Un-Becoming" reviewed by David Bixler


What happens when you go off the grid to find your sound? For saxophonist Caroline Davis, the answer is Fallows (Ropeadope, 2026), her first solo release which was conceived during a month-long residency at Ucross, Wyoming. During this time, Davis stripped away the “self" to make room for pure creation: the album is the result of a deliberate “un-becoming"--a period where Davis set aside the expectations of daily life to let the landscape speak through her horn. This ...

Album Review

Caroline Davis: Portals, Volume 2: Returning

Read "Portals, Volume 2: Returning" reviewed by Vincenzo Roggero


Il precedente Portals Volume 1: Mourning nasceva dalla necessità di rielaborare la morte improvvisa del padre attraverso una musica che curasse il dolore e conservasse i ricordi migliori. In quel disco, Caroline Davis, sassofonista, flautista, compositrice ed educatrice statunitense nata a Singapore da padre inglese e madre svedese, accostava al suo classico quintetto un quartetto d'archi. Portals vol.2 : Returning è invece un omaggio a Joan Anson-Weber, poetessa nonché nonna di Caroline, e farla da padrone sono in questo caso ...

23
Album Review

Caroline Davis: Portals, Volume 2 : Returning

Read "Portals, Volume 2 : Returning" reviewed by Glenn Astarita


Alto saxophonist/composer Caroline Davis, a rising star in the jazz world, has unveiled her second installment of the “Portals" series, titled Portals Vol. 2: Returning. This album serves as a sonic memoir, inspired by her grandmother, Joan “Lady" Anson-Weber, and it represents a deeply personal journey of reflection and healing. As a gifted saxophonist and composer, Davis draws upon her grandmother's poetic legacy to craft a musical experience that is both moving and evocative. This album stands as ...

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Radio & Podcasts

Marie Goudy's Paloma Sky, Gino Amato, Caroline Davis, The Danish Radio Big Band and Kurt Elling New Releases

Read "Marie Goudy's Paloma Sky, Gino Amato, Caroline Davis, The Danish Radio Big Band and Kurt Elling New Releases" reviewed by Mary Foster Conklin


This broadcast includes new releases from Marie Goudy's Paloma Sky, Gino Amato, Caroline Davis, April Aloisio & Joanie Pallatto, The Danish Radio Big Band and Kurt Elling, with birthday shoutouts to composer Doris Tauber (Them There Eyes, Drinkin Again), Helen Sung, Bobby Short (100), Wesla Whitfield, Amy Winehouse, Lorraine Feather, Champian Fulton and Maria Muldaur, among others. Happy listening and please support the artists you hear. See them live, purchase their music so they can continue to distract, comfort, provoke ...

Album Review

Miles Okazaki: Miniature America

Read "Miniature America" reviewed by Alberto Bazzurro


Ventidue miniature svarianti da uno a sei minuti, con impegnati sottoinsiemi (o microgruppi, se preferite) estrapolati dal totale dei dieci elementi, sette strumentisti e tre cantanti, coinvolti nell'operazione, è quanto ci offre questo nuovo lavoro discografico (il dodicesimo, ci viene detto) a nome del cinquantenne chitarrista Miles Okazaki, con la partecipazione di svariati musicisti di punta dell'attuale scena newyorchese (e non). Ogni episodio possiede--fisiologicamente, verrebbe da dire--un aplomb cameristico di sicuro fascino, anche se è inevitabile che il ...

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Recording

"Doors: Chicago Storylines," New CD By Alto Saxophonist/Composer Caroline Davis, Due Nov. 6

"Doors: Chicago Storylines," New CD By Alto Saxophonist/Composer Caroline Davis, Due Nov. 6

Source: Terri Hinte Publicity

Following the release of her much-praised 2012 debut, Live Work & Play, alto saxophonist and composer Caroline Davis relocated from jny: Chicago to jny: New York City and got to work on an ambitious project that had been germinating for seven years. To honor her eight-year residency in Chicago, she combines spoken stories and original compositions on her new CD Doors: Chicago Storylines, which will be released by ears&eyes Records on November 6. Joining her on Doors are longtime members ...

2

Recording

Chicago-based Alto Saxophonist Caroline Davis Debuts On CD With "Live Work & Play" Nov. 6

Chicago-based Alto Saxophonist Caroline Davis Debuts On CD With "Live Work & Play" Nov. 6

Source: Terri Hinte Publicity

Caroline Davis's star has been rising in Chicago. She’s been called “one of the city’s strongest and most exciting jazz saxophonists” (Chicago Reader) whose “musical development over the last three years has been nothing short of startling” (Chicago Music). On November 6, Davis brings her music to a national audience and beyond with the release of her powerful and compelling debut album, Live Work & Play (Ears & Eyes Records). Featuring her quartet of Mike Allemana (guitar), Matt Ferguson (bass), ...

"One of 2012’s best local CDs, Live Work & Play, features six intriguing originals, a lovely arrangement of Billy Strayhorn’s Blood Count by guitarist Michael Allemana and a romp through Charlie Parker’s Cheryl. Davis is just at home in totally free settings, much like Lee Konitz, who, with her smeary tone and intelligent lines, she somewhat resembles.” - Michael Jackson, Chicago Sun Times, 2012

“All in all, proof that there is superb jazz still emerging from America's Second City.” - Jon Turney, Londonjazz.blogspot.co.uk, 2012

"But if you've heard Davis in the past year, you already know that her own playing provides all the validation she needs." - Peter Margasak, Chicago Reader, 2012

Primary Instrument

Saxophone

Location

New York City

Willing to teach

Intermediate to advanced

Lee Konitz
saxophone, alto
Suzanne Ciani
keyboards

Photos

Music

Recordings: As Leader | As Sideperson

Fallows

Ropeadope
2026

buy

Sampled

Ropeadope
2025

buy

LIVE FROM DEATH ROW

Self Produced
2025

buy

Hearts of Palm

XJAZZ Music
2024

buy

Outing

Sunnyside Records
2024

buy

Miniature America

Cygnus Recordings
2024

buy

The Cocktail Party

From: Miniature America
By Caroline Davis

Videos

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