Home » Jazz Musicians » Beaver Harris
Beaver Harris
Albert Ayler Quintet: Copenhagen, Bordeaux 1966 & Newport 1967 Live First Release
by Mark Corroto
Heroin addicts often speak of chasing that first high for the rest of their lives. A similar impulse can be found among devoted listeners of Charlie Parker, the Grateful Dead and especially free jazz, perhaps most intensely among followers of saxophonist Albert Ayler. That initial encounter with Ayler's music, whether live or on record, can feel transformative, even overwhelming. Once experienced, it becomes something listeners spend years trying to rediscover. Maybe you were fortunate enough to hear Ayler ...
Continue ReadingAlbert Ayler: Live Greenwich Village to Love Cry Revisited
by Giuseppe Segala
Nel 1996, quando fu pubblicata la prima edizione della sua biografia dedicata ad Albert Ayler, Spirits Rejoice!, il contrabbassista e musicologo tedesco Peter Niklas Wilson scriveva nella prefazione: “La sua musica resta controversa: per alcuni fu un profeta, per altri un ciarlatano. (...) Ayler resta oggi tanto controverso quanto esile è la base per una discussione obiettiva sul suo contributo alla musica degli anni Sessanta." Anche tra i colleghi musicisti c'era chi ne apprezzava la potenza innovativa e propulsiva e ...
Continue ReadingMarion Brown: Three For Shepp To Gesprachsfetzen Revisited
by Alberto Bazzurro
Tre brani di Marion Brown e altrettanti di Archie Shepp compongono il primo dei due album riuniti, come sempre meritoriamente, in questo CD, provenendo da quello che rappresenta il debutto dell'altosassofonista georgiano su Impulse!, inciso il 1° dicembre 1966 (dopo un paio di ESP e un Fontana) e pubblicato l'anno seguente. La stessa Impulse!, come già aveva fatto con lo stesso Shepp riferendolo a Coltrane per Four for Trane, ricicla per l'occasione la stessa formula riferendo Brown al collega di ...
Continue ReadingArchie Shepp: The Way Ahead, Kwanza, The Magic of Ju-ju Revisited
by Stefano Merighi
In questa compilation dedicata ad un periodo importante di Archie Shepp, si dovrebbe iniziare l'ascolto dalla fine. Infatti, i quasi venti minuti di “The Magic of Ju-Ju," posti in chiusura del CD, sono dell'aprile 1967; il resto del repertorio è invece stato inciso nel biennio successivo. Pur non riuscendo a comprendere il criterio con cui si assemblano questi cataloghi sonori, è indubbiamente utile comparare alcuni lavori vicini eppure assai differenti di un autore come Shepp, all'epoca sugli scudi ...
Continue ReadingMarion Brown: Three For Shepp To Gesprachsfetzen Revisited
by Mark Corroto
It's not too late to catch up with alto saxophonist and composer Marion Brown. Thanks to this excellent reissue and remaster series, you can hear the innovative recordings from this master musician. This release follows his 1965/66 discs Capricorn Moon To Juba Lee Revisited (ezz-thetics, 2019) and 1966/67 discs Why Not? Porto Novo! Revisited (ezz-thetics, 2020). Chris May's excellent liner notes posit an answer to Brown's relative obscurity. He essentially lays the blame on marketing. Record labels and ...
Continue ReadingMarion Brown: Three For Shepp To Gesprachsfetzen Revisited
by Chris May
"It is often those we hear the least that we should listen to the most." So wrote the Guadeloupean pianist Jonathan Jurion on the release of his album Le Temps Fou: The Music Of Marion Brown (Komos, 2019). Just why Marion Brown has become such a rarely acknowledged figure is unclear. He possessed all the qualifications needed to go large plus a few extras for good measure. He was a good-looking man. He dressed well (telling Dave ...
Continue ReadingAlbert Ayler Quintet: Lost Performances 1966 Revisited
by Glenn Astarita
These works offer a compelling glimpse into the avant-garde jazz landscape of the mid-1960s via saxophonist Albert Ayler's furiously executed phrasings, coated with spiritual intent during his tour of northern Europe. Ayler's work during this period often encapsulated the raw, expressive power and unrestrained improvisational style that defined his music.Ayler's quintet, amid his collaboration with other musicians and group formats, is known for its unconventional approach to jazz, delivering a cacophony of passionate and free-form expressions. Expect an ...
Continue ReadingMusic
Similar
Ornette Coleman
saxophone, alto
John Zorn
saxophone, alto
Sun Ra
piano
Alice Coltrane
piano
Jack DeJohnette
drums
Nels Cline
guitar, electric
Art Ensemble Of Chicago
band / ensemble / orchestra
Chris Speed
saxophone
Rashied Ali
drums
Dave Burrell
piano
Milford Graves
drums
Sunny Murray
drums
Ed Blackwell
drums
Trevor Dunn
bass
