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Bonnie J Jensen
Singer, Songwriter and Pianist
About Me
“…Bonnie J Jensen is one of a covey of new female jazz vocalists
bringing a fresh perspective to
the jazz culture. She joins the likes of America's Norah Jones, Britain's Claire Martin
and Sweden's Linda Peterson
in bringing a soft, sweet, sultry, soulful synapse to the jazz idiom.
Voodoo Child Magazine, USA
Bonnie J Jensen is a New Zealand–born, Sydney-based jazz singer, songwriter, pianist,
arranger and producer whose work is celebrated for its emotional intelligence, stylistic range,
and fearless musicality. A commanding live performer with “deep, powerfully athletic vocals”
and a gift for storytelling, Jensen has long been regarded as one of Australia’s most distinctive
jazz voices (The Australian 5/5 Star Review, Oct 2025).
After releasing four critically acclaimed albums in the 2000s, Jensen returned to recording
after a 15-year hiatus with her fifth album, RISE—a comeback widely hailed as one of her
finest artistic statements. Described as “driven by passion” and possessing “all the sweaty
intimacy of a live show,” RISE confirms Jensen as an artist “entirely at ease with her craft, yet
eager to stretch her artistry in new directions” (The Australian; SKOPE Magazine).
Jensen is praised for emphasizing narrative, nuance, and rhythmic intelligence. As Rhythms
Magazine notes, “Steering clear of the pyrotechnic scatting of traditional jazz singers, her
approach is foregrounded in the art of song-craft,” aligning her with artists such as Holly Cole,
Diana Krall, and Patricia Barber. Reviewers consistently highlight her ability to balance sultry
intimacy with muscular swing, her voice described as smooth yet capable of striking bite and
authority when the music demands it.
RISE showcases Jensen’s love of eclectic repertoire, blending jazz standards, modern jazz
compositions, and artful re-imaginings of pop and soul classics. From Herbie Hancock and
Chick Corea to Sting, James Taylor, Little River Band, The Stylistics, and Nitin Sawhney,
Jensen “casts her net widely,” creating a collection that is “steeped in tradition yet unafraid to
take detours” (SKOPE Magazine). Her seven-minute rendition of Corea’s “Spain” has been
singled out as a centrepiece—“a rollercoaster ride” requiring formidable technique—while her
interpretations of Hancock’s “Butterfly” and “Cantaloupe Island” reveal her gift for mood,
space, and lyrical subtlety ( Rhythms Magazine, Australia; Jazziz, USA).
An accomplished songwriter and arranger, Jensen contributes original works that sit
seamlessly alongside the classics. Her compositions “Hughes’ Blues” and “Spend a Little
Time with Me” have been praised for their swing, colour, and emotional directness,
underscoring her reputation as “a fine composer and arranger with an ear for colours and a
feel for the blues” ( The Arts Fuse, USA).
Central to Jensen’s sound is collaboration. Known for assembling elite ensembles, she is
admired for “the calibre of musicians she’s routinely mustered to enrich her records” (Rhythms
Magazine). RISE features a handpicked roster of Australia’s finest jazz musicians including
Graham Jesse-Flute & Sax, Matt McMahon-Piano, Brett Hirst-Bass, Geoff Hughes-Guitar, Ray
Cassar-Trumpet, Nicholas McBride-Drums, moving fluidly between small-group intimacy and
full big-band punch. Jensen also produced the album herself, earning praise for her
instinctive sense of pacing and sonic framing: “She knows exactly how to frame her
instrument… from dining-room intimacy to full big-band punch without losing elegance”
(SKOPE Magazine, USA).
Critics agree that RISE is more than a return—it’s a reaffirmation. “In her return to the studio,
Jensen hasn’t just picked up where she left off,” writes SKOPE Magazine. “She’s delivered one
of her most accomplished statements to date.” Jensen stands as a mature, confident artist
whose voice, vision, and interpretive depth continue to resonate—thoughtful, soulful, and
unmistakably her own.




